{"product_id":"collected-works-cd-1","title":"Collected Works [CD] (ONLINE ORDER ONLY)","description":"\u003cp\u003eThis 26 CD\/ 1 DVD box set featuring recordings spanning four decades of the composer's career with Nonesuch Records and sixty years of his career. The collection ranges from Reich's It's Gonna Rain (1965) to first recordings of his two latest works: Jacob's Ladder (2023) and Traveler's Prayer (2020). Two extensive booklets contain new essays by longtime Nonesuch President Robert Hurwitz, conductor Michael Tilson Thomas, Steve Reich and Musicians percussionist Russell Hartenberger, producer Judith Sherman, and composer Nico Muhly, as well as a comprehensive listener's guide by pianist and composer Timo Andres.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome Out\u003c\/li\u003e\n\u003cli\u003ePiano Phase\u003c\/li\u003e\n\u003cli\u003eClapping Music\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Rain~Part I\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Rain~Part II\u003c\/li\u003e\n\u003cli\u003ePiano Phase\u003c\/li\u003e\n\u003cli\u003ePendulum Music\u003c\/li\u003e\n\u003cli\u003eFour Organs\u003c\/li\u003e\n\u003cli\u003ePhase Patterns\u003c\/li\u003e\n\u003cli\u003eDrumming~Part I\u003c\/li\u003e\n\u003cli\u003eDrumming~Part II\u003c\/li\u003e\n\u003cli\u003eDrumming~Part III\u003c\/li\u003e\n\u003cli\u003eDrumming~Part IV\u003c\/li\u003e\n\u003cli\u003eDuet\u003c\/li\u003e\n\u003cli\u003eMusic for Mallet Instruments, Voices and Organ\u003c\/li\u003e\n\u003cli\u003eSix Pianos\u003c\/li\u003e\n\u003cli\u003eVariations for Winds, Strings and Keyboards\u003c\/li\u003e\n\u003cli\u003eVermont Counterpoint\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Pulses\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section I\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section II\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IIIA\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IIIB\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IV\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section V\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VI\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VII\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VIII\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IX\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section X\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section XI\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Pulses\u003c\/li\u003e\n\u003cli\u003eNew York Counterpoint~I. Fast\u003c\/li\u003e\n\u003cli\u003eNew York Counterpoint~II. Slow\u003c\/li\u003e\n\u003cli\u003eNew York Counterpoint~III. Fast\u003c\/li\u003e\n\u003cli\u003eEight Lines\u003c\/li\u003e\n\u003cli\u003eFour Organs\u003c\/li\u003e\n\u003cli\u003eTehillim~Part I (Fast)\u003c\/li\u003e\n\u003cli\u003eTehillim~Part II (Fast)\u003c\/li\u003e\n\u003cli\u003eTehillim~Part II (Slow)\u003c\/li\u003e\n\u003cli\u003eTehillim~Part IV (Fast)\u003c\/li\u003e\n\u003cli\u003eThree Movements~Movement I: Quarter note = 176\u003c\/li\u003e\n\u003cli\u003eThree Movements~Movement II: Quarter note = 88\u003c\/li\u003e\n\u003cli\u003eThree Movements~Movement III: Quarter note = 176\u003c\/li\u003e\n\u003cli\u003eDesert Music~First Movement (Fast)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Second Movement (Moderate)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Third Movement: Part One (Slow)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Third Movement: Part Two (Moderate)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Third Movement: Part Three (Slow)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Fourth Movement (Moderate)\u003c\/li\u003e\n\u003cli\u003eDesert Music~Fifth Movement (Fast)\u003c\/li\u003e\n\u003cli\u003eSextet~I.\u003c\/li\u003e\n\u003cli\u003eSextet~II.\u003c\/li\u003e\n\u003cli\u003eSextet~III.\u003c\/li\u003e\n\u003cli\u003eSextet~IV.\u003c\/li\u003e\n\u003cli\u003eSextet~V.\u003c\/li\u003e\n\u003cli\u003eSix Marimbas ^1\u003c\/li\u003e\n\u003cli\u003eDifferent Trains~America - Before the war ^1\u003c\/li\u003e\n\u003cli\u003eDifferent Trains~Europe - During the war ^1\u003c\/li\u003e\n\u003cli\u003eDifferent Trains~After the war ^1\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~I. Fast ^1\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~II. Slow ^1\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~III. Fast ^1\u003c\/li\u003e\n\u003cli\u003eFour Sections~I. Strings (with Winds and Brass): Quarter note = 80 ^1\u003c\/li\u003e\n\u003cli\u003eFour Sections~II. Percussion: Quarter note = 80 ^1\u003c\/li\u003e\n\u003cli\u003eFour Sections~III. Winds and Brass (with Strings): Quarter note = 120 ^1\u003c\/li\u003e\n\u003cli\u003eFour Sections~IV. Full Orchestra: Quarter note = 180 ^1\u003c\/li\u003e\n\u003cli\u003eMusic for Mallet Instruments, Voices and Organ ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eTyping Music (Genesis XVI) ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Abraham? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eGenesis XII ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Sarah? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Hagar? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eTyping Music Repeat ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Ishmael? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eGenesis XVIII ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Isaac? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eGenesis XXI ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eThe Casting Out of Ishmael and Hagar ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eMachpelah Commentary ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eGenesis XXV ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eInterior of the Cave ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eSurah 3 ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Ibrahim? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Hajar? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eThe Near Sacrifice ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eEl Khalil Commentary ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eInterior of the Cave ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Abraham? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Sarah? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Hagar? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eWho Is Ishmael? ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eThe Binding of Isaac ^1\u003c\/li\u003e\n\u003cli\u003eCave~Act\u003c\/li\u003e\n\u003cli\u003eThe Cave of Machpelah ^1\u003c\/li\u003e\n\u003cli\u003eProverb ^1\u003c\/li\u003e\n\u003cli\u003eNagoya Marimbas ^1\u003c\/li\u003e\n\u003cli\u003eCity Life~Check it out ^1\u003c\/li\u003e\n\u003cli\u003eCity Life~Pile driver \/ alarms ^1\u003c\/li\u003e\n\u003cli\u003eCity Life~It's been a honeymoon - Can't take no mo ^1\u003c\/li\u003e\n\u003cli\u003eCity Life~Heartbeats \/ boats ; buoys ^1\u003c\/li\u003e\n\u003cli\u003eCity Life~Heavy smoke ^1\u003c\/li\u003e\n\u003cli\u003eTriple Quartet~First Movement ^1\u003c\/li\u003e\n\u003cli\u003eTriple Quartet~Second Movement ^1\u003c\/li\u003e\n\u003cli\u003eTriple Quartet~Third Movement ^1\u003c\/li\u003e\n\u003cli\u003eElectric Guitar Phase ^1\u003c\/li\u003e\n\u003cli\u003eMusic for a Large Ensemble ^1\u003c\/li\u003e\n\u003cli\u003eTokyo\/Vermont Counterpoint ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part I: Hindenburg: Nibelung Zeppelin ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part I: Hindenburg: A Very Impressive Thing to See ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part I: Hindenburg: I Couldn't Understand It ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: In the Air - 1 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: The Atoll - 1 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: On the Ships - 1 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: In the Air - 2 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: The Atoll - 2 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: On the Ships - 2 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: In the Air - 3 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: The Atoll - 3 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: On the Ships - 3 ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part II: Bikini: Coda ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Cloning ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Dolly ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Human Body Machine ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Darwin ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Interlude ^1\u003c\/li\u003e\n\u003cli\u003eThree Tales~Part III: Dolly: Robots\/Cyborgs\/Immortality ^1\u003c\/li\u003e\n\u003cli\u003eYou Are (Variations)~You are wherever your thoughts are ^1\u003c\/li\u003e\n\u003cli\u003eYou Are (Variations)~Shiviti Hashem l'negdi (I place the Eternal before me) ^1\u003c\/li\u003e\n\u003cli\u003eYou Are (Variations)~Explanations come to an end somewhere ^1\u003c\/li\u003e\n\u003cli\u003eYou Are (Variations)~Ehmor m'aht, v'ahsay harbay (Say little and do much) ^1\u003c\/li\u003e\n\u003cli\u003eCello Counterpoint ^1\u003c\/li\u003e\n\u003cli\u003eDaniel Variations~I saw a dream ^1\u003c\/li\u003e\n\u003cli\u003eDaniel Variations~My name is Daniel Pearl (I'm a Jewish American from Encino, California) ^1\u003c\/li\u003e\n\u003cli\u003eDaniel Variations~Let the dream fall back on the dreaded ^1\u003c\/li\u003e\n\u003cli\u003eDaniel Variations~I sure hope Gabriel likes my music, when the day is done ^1\u003c\/li\u003e\n\u003cli\u003eVariations for Vibes, Pianos and Strings~Fast ^1\u003c\/li\u003e\n\u003cli\u003eVariations for Vibes, Pianos and Strings~Slow ^1\u003c\/li\u003e\n\u003cli\u003eVariations for Vibes, Pianos and Strings~Fast ^2\u003c\/li\u003e\n\u003cli\u003eDouble Sextet~Fast ^2\u003c\/li\u003e\n\u003cli\u003eDouble Sextet~Slow ^2\u003c\/li\u003e\n\u003cli\u003eDouble Sextet~Fast ^2\u003c\/li\u003e\n\u003cli\u003e2x5~Fast ^2\u003c\/li\u003e\n\u003cli\u003e2x5~Slow ^2\u003c\/li\u003e\n\u003cli\u003e2x5~Fast ^2\u003c\/li\u003e\n\u003cli\u003eWTC9\/11~I. 9\/11 ^2\u003c\/li\u003e\n\u003cli\u003eWTC9\/11~II. 2010 ^2\u003c\/li\u003e\n\u003cli\u003eWTC9\/11~III. WTC ^2\u003c\/li\u003e\n\u003cli\u003eMallet Quartet~I. Fast ^2\u003c\/li\u003e\n\u003cli\u003eMallet Quartet~II. Slow ^2\u003c\/li\u003e\n\u003cli\u003eMallet Quartet~III. Fast ^2\u003c\/li\u003e\n\u003cli\u003eDance Patterns ^2\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~I. Fast ^2\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~II. Slow ^2\u003c\/li\u003e\n\u003cli\u003eElectric Counterpoint~III. Fast ^2\u003c\/li\u003e\n\u003cli\u003ePiano Counterpoint ^2\u003c\/li\u003e\n\u003cli\u003eRadio Rewrite~I. Fast ^2\u003c\/li\u003e\n\u003cli\u003eRadio Rewrite~II. Slow ^2\u003c\/li\u003e\n\u003cli\u003eRadio Rewrite~III. Fast ^2\u003c\/li\u003e\n\u003cli\u003eRadio Rewrite~IV. Slow ^2\u003c\/li\u003e\n\u003cli\u003eRadio Rewrite~V. Fast ^2\u003c\/li\u003e\n\u003cli\u003ePulse ^2\u003c\/li\u003e\n\u003cli\u003eQuartet~I. Fast ^2\u003c\/li\u003e\n\u003cli\u003eQuartet~II. Slow ^2\u003c\/li\u003e\n\u003cli\u003eQuartet~III. Fast ^2\u003c\/li\u003e\n\u003cli\u003eRunner~I. Sixteenths ^2\u003c\/li\u003e\n\u003cli\u003eRunner~II. Eighths ^2\u003c\/li\u003e\n\u003cli\u003eRunner~III. Quarters ^2\u003c\/li\u003e\n\u003cli\u003eRunner~IV. Eighths ^2\u003c\/li\u003e\n\u003cli\u003eRunner~V. Sixteenths ^2\u003c\/li\u003e\n\u003cli\u003eMusic for Ensemble and Orchestra~I. Sixteenths ^2\u003c\/li\u003e\n\u003cli\u003eMusic for Ensemble and Orchestra~II. Eighths ^2\u003c\/li\u003e\n\u003cli\u003eMusic for Ensemble and Orchestra~III. Quarters ^2\u003c\/li\u003e\n\u003cli\u003eMusic for Ensemble and Orchestra~IV. Eighths ^2\u003c\/li\u003e\n\u003cli\u003eMusic for Ensemble and Orchestra~V. Sixteenths ^2\u003c\/li\u003e\n\u003cli\u003eReich\/Richter~Opening ^2\u003c\/li\u003e\n\u003cli\u003eReich\/Richter~Patterns ; scales ^2\u003c\/li\u003e\n\u003cli\u003eReich\/Richter~Cross fades ^2\u003c\/li\u003e\n\u003cli\u003eReich\/Richter~Ending ^2\u003c\/li\u003e\n\u003cli\u003eJacob's Ladder~Genesis ^2\u003c\/li\u003e\n\u003cli\u003eJacob's Ladder~Vayachalom (And he dreamed) ^2\u003c\/li\u003e\n\u003cli\u003eJacob's Ladder~V'hinei, sulam mutzav artza (And behold, a ladder set up on the Earth) ^2\u003c\/li\u003e\n\u003cli\u003eJacob's Ladder~V'rosho magia hashamayima (And its top reached heaven) ^2\u003c\/li\u003e\n\u003cli\u003eJacob's Ladder~V'hinei, malachei Elokim olim v'yordim bo (And behold, messengers of G-d ascending and descending on it) ^2\u003c\/li\u003e\n\u003cli\u003eTraveler's Prayer ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Pulses ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section I ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section II ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IIIA ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IIIB ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IV ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section V ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VI ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VII ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section VIII ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section IX ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section X ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Section XI ^2\u003c\/li\u003e\n\u003cli\u003eMusic for 18 Musicians~Pulses\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597904185\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paladin Vinyl","offers":[{"title":"Default Title","offer_id":45201752096791,"sku":"OOO","price":159.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/animeimports.net\/products\/collected-works-cd-1","provider":"Anime Imports LLC","version":"1.0","type":"link"}