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I Hear You Knocking [Vinyl] (ONLINE ORDER ONLY)
I Hear You Knocking [Vinyl] (ONLINE ORDER ONLY)
$22.99$24.99Product Type : Vinyl
Hurry! Only0units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
As the New Orleans R&B sound developed rapidly during the early ’50s, so did Lewis. He scored his first national hit in 1952 with “The Bells Are Ringing,” but enjoyed his biggest sales in 1955 with the exultant “I Hear You Knocking” (its immortal piano solo courtesy of Huey Smith).
Dave Bartholomew has often been quoted to the effect that Smiley Lewis was a “bad luck singer,” because he never sold more than 100,000 copies of his Imperial singles. In retrospect, Lewis was a lucky man in many respects — he enjoyed stellar support from New Orleans’ ace sessioneers at Cosimo’s, benefited from top-flight material and production (by Bartholomew), and left behind a legacy of marvelous Crescent City R&B. We’re lucky he was there, that’s for sure.
Born with the unwieldy handle of Overton Lemons, Lewis hit the Big Easy in his mid-teens, armed with a big, booming voice and some guitar skills. He played clubs in the French Quarter, often with pianist Tuts Washington (and sometimes billed as “Smiling” Lewis).In front of the Crescent City’s hottest players (saxists Lee Allen, Clarence Hall, and Herb Hardesty usually worked his dates), Lewis roared like a lion.Strangely, Fats Domino fared better with some of Smiley Lewis’ tunes than Lewis did (“Blue Monday” in particular). Similarly, Elvis Presley cleaned up the naughty “One Night” and hit big with it, but Lewis’s original had already done well in 1956. By then, stomach cancer was eating the once-stout singer up. He died in the autumn of 1966, all but forgotten outside his New Orleans home base.
The ensuing decades have rectified that miscarriage of justice, however. Smiley Lewis’ place as one of the greatest New Orleans R&B artists of the 1950s is certainly assured. It’s magnificent, exuberant R&B, and deserved a much better national fate than it enjoyed.
Bill Dahl/AMG- LP x 1 standard sleeve
- Recorded at J&M Studios, North Ramprt Street and Cosimo’s Studios, 523/5 Gov. Nicholls Street, New Orleans, Louisiana.
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Released: 7/25/18
- Format Detail: LP Black
- Format: Vinyl
- Genre: Jazz
All Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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