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Sorrows & Promises: Greenwich Village In The 1960S [Vinyl] (ONLINE ORDER ONLY)
Sorrows & Promises: Greenwich Village In The 1960S [Vinyl] (ONLINE ORDER ONLY)
$9.99$10.99Product Type : Vinyl
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[[Release Detail]]Richard Barone’s Sorrows & Promises: Greenwich Village In The 1960s casts new light on the songs that sprang from the singer-songwriters in and around Greenwich Village during that pivotal decade.
While Top-40 hit songs were being churned out uptown in the Brill Building and at 1650 Broadway, the downtown writers were weaving folk, blues, R&B and rock into songs that five decades later still sound fresh and inventive. Richard’s choices cover a broad range of writers, from Buddy Holly, who was living and demoing songs in his Greenwich Village apartment just before he died, to up-and-comers like Paul Simon, John Sebastian (of the Lovin’ Spoonful) and James Taylor (of The Flying Machine), to the artists redefining folk music — Bob Dylan, Phil Ochs, Tim Hardin, Fred Neil — for a new generation. Sorrows and Promises revisits and re-imagines these songs that were a vital contribution to the American Songbook, treating them like the modern standards they are. Richard Barone is uniquely qualified to reinterpret these ‘60s classics; throughout his career, first with The Bongos and then as a solo artist, his work has shown the influence of the pop, rock and folk singer-songwriters who lived and worked in the Village neighborhood where Richard has lived since the mid-1980s. The album features an all-star line-up of guest musicians and vocalists including John Sebastian, Dion, Allison Moorer, Nellie McKay, David Amram, Jenni Muldaur, and The Kennedys.
The album was produced by Steve Addabbo, who has a strong creative connection to the music being revisited on the project. Among his many credits as a producer, engineer and musician are albums by Bob Dylan, Suzanne Vega, Jeff Buckley, and Eric Andersen.
Also contributing to the album was Mitchell Cohen, a long-time music writer and A&R executive (Arista, Columbia and Verve) who suggested the concept to Richard and worked with him on selecting the material.
[[Release Description]]Richard Barone’s Sorrows & Promises: Greenwich Village In The 1960s casts new light on the songs that sprang from the singer-songwriters in and around Greenwich Village during that pivotal decade.
While Top-40 hit songs were being churned out uptown in the Brill Building and at 1650 Broadway, the downtown writers were weaving folk, blues, R&B and rock into songs that five decades later still sound fresh and inventive. Richard’s choices cover a broad range of writers, from Buddy Holly, who was living and demoing songs in his Greenwich Village apartment just before he died, to up-and-comers like Paul Simon, John Sebastian (of the Lovin’ Spoonful) and James Taylor (of The Flying Machine), to the artists redefining folk music — Bob Dylan, Phil Ochs, Tim Hardin, Fred Neil — for a new generation. Sorrows and Promises revisits and re-imagines these songs that were a vital contribution to the American Songbook, treating them like the modern standards they are. Richard Barone is uniquely qualified to reinterpret these ‘60s classics; throughout his career, first with The Bongos and then as a solo artist, his work has shown the influence of the pop, rock and folk singer-songwriters who lived and worked in the Village neighborhood where Richard has lived since the mid-1980s. The album features an all-star line-up of guest musicians and vocalists including John Sebastian, Dion, Allison Moorer, Nellie McKay, David Amram, Jenni Muldaur, and The Kennedys.
The album was produced by Steve Addabbo, who has a strong creative connection to the music being revisited on the project. Among his many credits as a producer, engineer and musician are albums by Bob Dylan, Suzanne Vega, Jeff Buckley, and Eric Andersen.
Also contributing to the album was Mitchell Cohen, a long-time music writer and A&R executive (Arista, Columbia and Verve) who suggested the concept to Richard and worked with him on selecting the material.
- “Close The Door Lightly When You Go” / “Sunday Morning” alternate acoustic arrangements
- “Sorrows and Promises and Songs of Freedom” essay by Mitchell Cohen
- Exclusive behind-the-scenes photographs
- Jam-packed download card containing: a high-quality 320kb MP3 version of the album, Official “Bleecker Street” music video, “Sorrows & Promises” album preview “trailer”, and Freewheelin’ “Sorrows & Promises” Podcast about Greenwich Village in the 1960s by Richard Barone and Mitchell Cohen
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Released: 4/19/17
- Format Detail: LP Black
- Format: Vinyl
- Genre: Folk
All Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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