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Buxtehude Collection [CD] (ONLINE ORDER ONLY)
Buxtehude Collection [CD] (ONLINE ORDER ONLY)
Regular Price $68.99Product Type : CD
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With this exemplary set, Brilliant Classics has formed a vivid picture of the composer Dietrich Buxtehude across the most important sectors of his output, drawing on a rich back catalogue crowned with new recordings.More than half of the set is devoted to the ambitious, monumental recording cycle of the complete keyboard music on 10 CDs undertaken by organist-harpsichordist and label stalwart Simone Stella in 2010-11. This pride of place for the solo keyboard is natural considering Buxtehude's own prodigious gifts as a performer on the instruments - and it is this repertoire, through it's ease of dissemination, that exerted his compositional influence most widely on the generations to come, which included the great J.S. Bach and G.F. Handel, born almost 50 years later.But his works in vocal idioms were equally ground-breaking. For this, Brilliant have licensed important sets from 1996 and 2000 of cantatas for small and larger forces originally issued on the Dacapo label, of Buxtehude's native Denmark, featuring the great Emma Kirkby and Danish bass Johan Reuter, as well as a 2002 Canadian recording of cantatas for one, two and three soloists from Naxos. Brilliant Classics supplement these treasures with a vocal gem in their own catalogue: Buxtehude's great cycle of seven cantatas, Membra Jesu nostri, in a 2021 recording by Groningen's Luthers Bach Ensemble.Finally, the chamber music is offered in a new release from Amsterdam-based ensemble Fantasticus, recorded in 2023 and comprising the Trio Sonatas Opp. 1 & 2, with an addendum of sonatas in manuscript, on 3 CDs.Other information:- Recordings date from 1996-2023- 32-page booklet in English contains extensive liner notes by Simone Stella (keyboard music), Tymen Jan Bronda (Membra Jesu nostri), Jon Baxendale (chamber music), Kerala Snyder (vocal music) and Kevin Mallon (sacred cantatas)- Dietrich Buxtehude (c. 1637-1707) was a Danish-German composer and organist. He is recognized for bridging Renaissance and Baroque musical traditions, influencing composers such as J.S. Bach and George Frideric Handel.- Born in either Helsingborg, Sweden, or Helsingor, Denmark (the exact location remains uncertain), Buxtehude spent much of his career in Lubeck, Germany, where he served as organist at the Marienkirche (St. Mary's Church) from 1668 until his death.- As a composer, Buxtehude is recognized for his organ works, including preludes, fugues, and chorale variations. His music blends intricate counterpoint with an expressive, almost improvisational character, making him one of the most significant figures in early Baroque music. His Abendmusiken concerts, held in Lubeck, became famous throughout Europe, attracting musicians from far and wide, including a young Johann Sebastian Bach, who famously walked over 250 miles to study with him.- Buxtehude composed a wide variety of vocal and instrumental works, including cantatas, sonatas, and oratorios. His sacred music, marked by it's spiritual depth and complex textures, remains a significant part of the Baroque choral repertoire.- This comprehensive collection contains the complete organ music, harpsichord music, chamber music, and a variety of choral works, among which the famous and moving "Membra Jesu Nostri".- Excellent performances by keyboard player Simone Stella, Peter-Jan Belder and his ensemble, the Luthers Bach Ensemble.
Tracklist:
- Aria 'Rofilis' in D minor BuxWV248
- Suite in G BuxWV240~I. Allemande
- Suite in G BuxWV240~II. Courante
- Suite in G BuxWV240~III. Sarabande
- Suite in G BuxWV240~IV. Gigue
- Suite in E minor BuxWV237~I. Allemande
- Suite in E minor BuxWV237~II. Courante
- Suite in E minor BuxWV237~III. Sarabande I
- Suite in E minor BuxWV237~IV. Sarabande II
- Suite in E minor BuxWV237~V. Gigue
- Courante in D minor BuxWV Anh.6
- Suite in D minor BuxWV234~I. Allemande
- Suite in D minor BuxWV234~II. Double
- Suite in D minor BuxWV234~III. Courante
- Suite in D minor BuxWV234~IV. Double
- Suite in D minor BuxWV234~V. Sarabande I
- Suite in D minor BuxWV234~VI. Sarabande II
- Suite in D BuxWV232~I. Allemande
- Suite in D BuxWV232~II. Courante
- Auf meinen lieben Gott in E minor BuxWV179~I. Allemande
- Auf meinen lieben Gott in E minor BuxWV179~II. Double
- Auf meinen lieben Gott in E minor BuxWV179~III. Corrente
- Auf meinen lieben Gott in E minor BuxWV179~IV. Sarabande
- Auf meinen lieben Gott in E minor BuxWV179~V. Gigue
- Suite in C BuxWV230~I. Allemande
- Suite in C BuxWV230~II. Courante
- Suite in C BuxWV230~III. Sarabande
- Suite in C BuxWV230~IV. Gigue
- Suite in G minor BuxWV242~I. Allemande
- Suite in G minor BuxWV242~II. Courante
- Suite in G minor BuxWV242~III. Sarabande
- Suite in G minor BuxWV242~IV. Gigue
- Canzona in C BuxWV166
- Aria 'More Palatino' in C BuxWV247~Variatio 1
- Aria 'More Palatino' in C BuxWV247~Variatio 2
- Aria 'More Palatino' in C BuxWV247~Variatio 3
- Aria 'More Palatino' in C BuxWV247~Variatio 4
- Aria 'More Palatino' in C BuxWV247~Variatio 5
- Aria 'More Palatino' in C BuxWV247~Variatio 6
- Aria 'More Palatino' in C BuxWV247~Variatio 7
- Aria 'More Palatino' in C BuxWV247~Variatio 8
- Aria 'More Palatino' in C BuxWV247~Variatio 9
- Aria 'More Palatino' in C BuxWV247~Variatio 10
- Aria 'More Palatino' in C BuxWV247~Variatio 11
- Aria 'More Palatino' in C BuxWV247~Variatio 12
- Suite in G minor BuxWV241~I. Allemande
- Suite in G minor BuxWV241~II. Courante
- Suite in G minor BuxWV241~III. Sarabande
- Suite in G minor BuxWV241~IV. Gigue
- Suite in C BuxWV228~I. Allemande
- Suite in C BuxWV228~II. Courante
- Suite in C BuxWV228~III. Sarabande
- Suite in C BuxWV228~IV. Double
- Suite in C BuxWV228~V. Gigue
- Suite in A minor BuxWV deest~I. Allemande
- Suite in A minor BuxWV deest~II. Courante
- Suite in A minor BuxWV deest~III. Sarabande
- Suite in A minor BuxWV deest~IV. Gigue
- Suite in A BuxWV243~I. Allemande
- Suite in A BuxWV243~II. Courante
- Suite in A BuxWV243~III. Sarabande
- Suite in A BuxWV243~IV. Gigue
- Suite in D minor~I. Allemande
- Suite in D minor~II. Courante
- Suite in D minor~III. Sarabande
- Suite in D minor~IV. Gigue
- Suite in C BuxWV229~I. Allemande
- Suite in C BuxWV229~II. Courante
- Suite in C BuxWV229~III. Sarabande
- Praeludium in G minor BuxWV163
- Aria in C BuxWV246~Aria
- Aria in C BuxWV246~Variatio 1
- Aria in C BuxWV246~Variatio 2
- Aria in C BuxWV246~Variatio 3
- Aria in C BuxWV246~Variatio 4
- Aria in C BuxWV246~Variatio 5
- Aria in C BuxWV246~Variatio 6
- Aria in C BuxWV246~Variatio 7
- Aria in C BuxWV246~Variatio 8
- Aria in C BuxWV246~Variatio 9
- Aria in C BuxWV246~Variatio 10
- Suite in E minor BuxWV235~I. Allemande
- Suite in E minor BuxWV235~II. Courante
- Suite in E minor BuxWV235~III. Sarabande
- Suite in E minor BuxWV235~IV. Gigue
- Aria in A minor BuxWV249~Variatio 1
- Aria in A minor BuxWV249~Variatio 2
- Aria in A minor BuxWV249~Variatio 3
- Suite in F BuxWV239~I. Allemande
- Suite in F BuxWV239~II. Courante
- Suite in F BuxWV239~III. Sarabande
- Suite in F BuxWV239~IV. Gigue
- Suite in C BuxWV226~I. Allemande
- Suite in C BuxWV226~II. Courante
- Suite in C BuxWV226~III. Sarabande I
- Suite in C BuxWV226~IV. Sarabande II
- Suite in C BuxWV226~V. Gigue
- Canzona in D minor BuxWV168
- Suite in A minor BuxWV244~I. Allemande
- Suite in A minor BuxWV244~II. Courante
- Suite in A minor BuxWV244~III. Sarabande
- Suite in A minor BuxWV244~IV. Gigue
- Suite in C BuxWV231~I. Allemande
- Suite in C BuxWV231~II. Courante
- Suite in C BuxWV231~III. Sarabande
- Toccata in G BuxWV165
- Courante zimble in A minor BuxWV245~Variatio 1
- Courante zimble in A minor BuxWV245~Variatio 2
- Courante zimble in A minor BuxWV245~Variatio 3
- Courante zimble in A minor BuxWV245~Variatio 4
- Courante zimble in A minor BuxWV245~Variatio 5
- Courante zimble in A minor BuxWV245~Variatio 6
- Courante zimble in A minor BuxWV245~Variatio 7
- Courante zimble in A minor BuxWV245~Variatio 8
- Suite in F BuxWV238~I. Allemande
- Suite in F BuxWV238~II. Courante
- Suite in F BuxWV238~III. Sarabande
- Suite in F BuxWV238~IV. Gigue
- Suite in D minor BuxWV233~I. Allemande d'Amour
- Suite in D minor BuxWV233~II. Courante
- Suite in D minor BuxWV233~III. Sarabande d'Amour
- Suite in D minor BuxWV233~IV. Sarabande II
- Suite in D minor BuxWV233~V. Gigue
- Suite in C BuxWV227~I. Allemande
- Suite in C BuxWV227~II. Courante
- Suite in C BuxWV227~III. Sarabande
- Suite in C BuxWV227~IV. Gigue
- Suite in E minor BuxWV236~I. Allemande
- Suite in E minor BuxWV236~II. Courante
- Suite in E minor BuxWV236~III. Sarabande
- Suite in E minor BuxWV236~IV. Gigue
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 1
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 2
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 3
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 4
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 5
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 6
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 7
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 8
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 9
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 10
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 11
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 12
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 13
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 14
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 15
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 16
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 17
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 18
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 19
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 20
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 21
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 22
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 23
- Aria 'La Capricciosa' Partite diverse sopra una aria d'Inventione in G BuxWV250~Partita 24
- Aria 'La Capricciosa'
UPC: 5028421970851
Label: Brilliant Classics
Release Date: 3.28.25
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
'
'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
'
'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
'