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Buxtehude: Trio Sons Op. 1 & 2 [CD] (ONLINE ORDER ONLY)
Buxtehude: Trio Sons Op. 1 & 2 [CD] (ONLINE ORDER ONLY)
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The key to Buxtehude's trio sonatas, both for performers and for listeners, is an awareness of the stylus fantasticus which German composers of the late 17th and early 18th centuries developed in response to the new freely inventive style of Italian composers such as Claudio Merulo and Girolamo Frescobaldi. 'It is the most free and unrestrained method of composing,' wrote one contemporary theorist. 'It is bound to nothing, neither to any words nor to a melodic subject, instituted to display genius and to teach the hidden design of harmony and the ingenious composition of harmonic phrases and fugues.'The seven sonatas in each of these collections, published in Hamburg in 1696, offer a continuous succession of short movements, up to eight per sonata, which alternate between slow and fast tempi, and improvisatory and contrapuntal textures, dominated by a dazzling array of ostinato variations which embed the melodies in the listener's consciousness. We encounter witty solos, dialogues and conversations, sublime suspensions, jaunty syncopations and occasional excursions into strange and modal harmony. The expressive range is accordingly wide, venturing in Op.1 No.6 into a D minor realm of darkness and desperation. The musicians on this new recording of Buxtehude's trio sonatas are experienced and skilful practitioners of Baroque style, with an impressive catalogue of albums on Brilliant Classics to their credit. Valerio Losito has recorded the violin sonatas of Scarlatti, Telemann and Tessarini, among others, while Simone Stella has made complete surveys of the organ and harpsichord output by Froberger and Pachelbel - 'performed with natural flair, especially with respect to clarifying counterpoint' (Gramophone). Simone Stella introduces these fascinating works, milestones in the history of German-Baroque chamber music, with an extensive booklet essay. This is 'music full of lyrically delicate, sorrowful, and dramatic emotions,' he says, 'as well as melodious, harmonically gratifying, and full of vitality, a world of sound that consecrates him as a unique genius in the Pantheon of Music.'- Dietrich Buxtehude (c. 1637-1707) was a prominent German-Danish composer and organist of the Baroque period, renowned for his influence on later composers such as J.S. Bach and Handel. Best known for his sacred vocal music and virtuosic organ works, Buxtehude also wrote a substantial body of chamber music.- Published in 1694 and 1696 respectively, Buxtehude's Trio Sonatas comprise two sets of seven sonatas each. On this recording they are played with one violin, viola da gamba and harpsichord. These works represent a blend of German counterpoint and Italianate style. The sonatas are notable for their variety of forms, including fugal sections, dance movements, and expressive slow passages, the inventive use of harmony and rhythmic vitality reflecting the lively spirit of the early Baroque. The Op.1 and 2 sonatas are among the earliest significant instrumental works in Northern Germany, and they contributed to the development of the sonata genre.- Played by three foremost representatives of the Italian Historically Informed Performance Practice: Valerio Losito, Bettina Hoffmann (viola da gamba) and Simone Stella. Valerio Losito successfully recorded for Brilliant Classics works by Tessarini, Veracini, Dal Barba, Telemann and Alessandro Scarlatti.
Tracklist:
- Trio Sonatas Op. 1~Sonata No. 1 in F BuxWV 25
- Vivace - Lento
- Trio Sonatas Op. 1~Sonata No. 1 in F BuxWV 25
- Allegro - Adagio
- Trio Sonatas Op. 1~Sonata No. 1 in F BuxWV 25
- Andante
- Trio Sonatas Op. 1~Sonata No. 1 in F BuxWV 25
- Grave - Presto
- Trio Sonatas Op. 1~Sonata No. 2 in G BuxWV 25
- Lento - Vivace
- Trio Sonatas Op. 1~Sonata No. 2 in G BuxWV 25
- Adagio - Allegro
- Trio Sonatas Op. 1~Sonata No. 2 in G BuxWV 25
- Largo - Arioso
- Trio Sonatas Op. 1~Sonata No. 3 in A minor BuxWV 25
- Adagio
- Trio Sonatas Op. 1~Sonata No. 3 in A minor BuxWV 25
- Allegro
- Trio Sonatas Op. 1~Sonata No. 3 in A minor BuxWV 25
- Lento - Vivace
- Trio Sonatas Op. 1~Sonata No. 3 in A minor BuxWV 25
- Largo - Presto - Adagio
- Trio Sonatas Op. 1~Sonata No. 4 in B flat BuxWV 25
- Vivace - Allegro
- Trio Sonatas Op. 1~Sonata No. 4 in B flat BuxWV 25
- Lento - Allegro
- Trio Sonatas Op. 1~Sonata No. 5 in C BuxWV 25
- Vivace
- Trio Sonatas Op. 1~Sonata No. 5 in C BuxWV 25
- Violino solo - Allegro
- Trio Sonatas Op. 1~Sonata No. 5 in C BuxWV 25
- Largo - Allegro
- Trio Sonatas Op. 1~Sonata No. 5 in C BuxWV 25
- Adagio - Allegro
- Trio Sonatas Op. 1~Sonata No. 6 in D minor BuxWV 25
- Grave - Allegro
- Trio Sonatas Op. 1~Sonata No. 6 in D minor BuxWV 25
- Con discretione - Adagio (con discretione) - Adagio
- Trio Sonatas Op. 1~Sonata No. 6 in D minor BuxWV 25
- Vivace - (con discretione) Adagio
- Trio Sonatas Op. 1~Sonata No. 6 in D minor BuxWV 25
- Poco presto - Poco Adagio - Presto - Lento
- Trio Sonatas Op. 1~Sonata No. 7 in E minor BuxWV 25
- Allegro - Largo
- Trio Sonatas Op. 1~Sonata No. 7 in E minor BuxWV 25
- Presto - Vivace - Adagio
- Trio Sonatas Op. 1~Sonata No. 7 in E minor BuxWV 25
- Poco Presto - Lento - Prestissimo
- Trio Sonatas Op. 2~Sonata No. 1 in B flat BuxWV 25
- Allegro
- Trio Sonatas Op. 2~Sonata No. 1 in B flat BuxWV 25
- Adagio - Allegro
- Trio Sonatas Op. 2~Sonata No. 1 in B flat BuxWV 25
- Grave
- Trio Sonatas Op. 2~Sonata No. 1 in B flat BuxWV 25
- Vivace - Lento
- Trio Sonatas Op. 2~Sonata No. 1 in B flat BuxWV 25
- Poco adagio - Presto
- Trio Sonatas Op. 2~Sonata No. 2 in D BuxWV 26
- Adagio - Allegro - Largo
- Trio Sonatas Op. 2~Sonata No. 2 in D BuxWV 26
- Arietta, Parte I-X
- Trio Sonatas Op. 2~Sonata No. 2 in D BuxWV 26
- Largo - Vivace
- Trio Sonatas Op. 2~Sonata No. 3 in G minor BuxWV 26
- Vivace - Lento
- Trio Sonatas Op. 2~Sonata No. 3 in G minor BuxWV 26
- Allegro - Lento
- Trio Sonatas Op. 2~Sonata No. 3 in G minor BuxWV 26
- Andante
- Trio Sonatas Op. 2~Sonata No. 3 in G minor BuxWV 26
- Grave - Gigue
- Trio Sonatas Op. 2~Sonata No. 4 in C minor BuxWV 26
- Poco adagio
- Trio Sonatas Op. 2~Sonata No. 4 in C minor BuxWV 26
- Allegro - Lento
- Trio Sonatas Op. 2~Sonata No. 4 in C minor BuxWV 26
- 3/4 - Vivace
- Trio Sonatas Op. 2~Sonata No. 5 in A BuxWV 26
- Allegro
- Trio Sonatas Op. 2~Sonata No. 5 in A BuxWV 26
- Violino solo - Concitato
- Trio Sonatas Op. 2~Sonata No. 5 in A BuxWV 26
- Adagio: Viola da gamba solo
- Trio Sonatas Op. 2~Sonata No. 5 in A BuxWV 26
- Allegro - Adagio
- Trio Sonatas Op. 2~Sonata No. 5 in A BuxWV 26
- 6/4 - Poco presto
- Trio Sonatas Op. 2~Sonata No. 6 in E BuxWV 26
- Grave - Vivace
- Trio Sonatas Op. 2~Sonata No. 6 in E BuxWV 26
- Adagio - Poco presto - Lento
- Trio Sonatas Op. 2~Sonata No. 6 in E BuxWV 26
- Allegro
- Trio Sonatas Op. 2~Sonata No. 7 in F BuxWV 26
- Adagio - 4/4
- Trio Sonatas Op. 2~Sonata No. 7 in F BuxWV 26
- Lento - Vivace
- Trio Sonatas Op. 2~Sonata No. 7 in F BuxWV 26
- Largo - Allegro
UPC: 5028421962887
Label: Brilliant Classics
Release Date: 11.21.25
Format: CDAll Sales are Final.
No Refunds or Exchanges.
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'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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