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Claudio Arrau - The Ambassador Auditorium Recitals [CD] (ONLINE ORDER ONLY)
Claudio Arrau - The Ambassador Auditorium Recitals [CD] (ONLINE ORDER ONLY)
Regular Price $49.99Product Type : CD
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Born in Chile, Claudio Arrau (1903-1991) wasone of the greatest pianists of the 20th century,an artist who was totally serious about his role inlife, a man completely dedicated to the music ofthe great composers who shared his insights andunderstanding of their work with his public.Where other famous pianists play the piano forexcitement, power or display, Arrau plays to probe,to divine, to interpret. Says Arrau, 'An interpretermust give his blood to the work interpreted.' Arrauis definitely not onesided or without spiritualgrandeur. Having won particular fame as a greatBeethoven interpreter, he is no less celebrated forhis Mozart, Schubert, Chopin, Liszt, Schumann,Brahms and Debussy. Among the famed peers ofhis generation, it is a range without equal.Located on the campus of Ambassador College inPasadena, California, the 1262 seat AmbassadorAuditorium was a major West Coast concerthall between 1974 and 1995 presenting around2500 concerts, and attracted the greatestinstrumentalists and orchestras.role in the musical life of our ensemble. It's musicalcomplexity and the depth of expression whichMozart achieves through only three voices areseemingly miraculous: it is one of those pieces whichconstantly rewards rehearsal. One simply never getstired of playing it!When the opportunity to record this masterpiecearose, we were faced with the challenge of whatto play alongside it. Our dear friend Rob Fokkenshad written two short movements for string triowhich seemed to fit beautifully with Mozart's music:Rob's translucent harmonic and rhythmic styleoffers unique expressive possibilities. The chanceto commission the great Julian Joseph was notto be missed, and his work, Bring it!, wonderfullydemonstrates his brilliance and lyricism, and thesubtly of his harmonic language. We sincerely hopeyou enjoy listening to the music on this album asmuch as we loved preparing it!to Islamic Iberia or the Al-Andalusian era of Spainbetween the 8th-15th centuries. Yet the fi rst men? onof Flamenco by name is not un? l 1774, where itappears in an epistolary novel, Cartas Marruecas, bythe playwright and soldier, Jose de Cadalso y Vazquez. In collabora? on with soparno Victoria Couper, kanunplayer, Konstan? nos Glynos, and oud/Flamencoguitarist, Ignacio Lusardi Monteverde, this album seeksto explore this ques? on by tracing the infl uences onFlamenco through Arabic music alongside Sephardicsong and the Spanish composers of the late-16th to18th centuries. What happened in these intervening centuries?
Tracklist:
- Piano Sonata No. 30 in E major, Op. 109~Vivace ma non troppo, sempre legato - Adagio espressivo
- Piano Sonata No. 30 in E major, Op. 109~Prestissimo
- Piano Sonata No. 30 in E major, Op. 109~Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
- Piano Sonata in B minor, S178~Lento assai - Allegro energico
- Piano Sonata in B minor, S178~Andante sostenuto
- Piano Sonata in B minor, S178~Allegro energico
- Piano Sonata in B minor, S178~Andante sostenuto - Lento assai
- Piano Sonata No. 3 in F minor, Op. 5~Allegro maestoso
- Piano Sonata No. 3 in F minor, Op. 5~Andante espressivo
- Piano Sonata No. 3 in F minor, Op. 5~Scherzo. Allegro energico avec trio
- Piano Sonata No. 3 in F minor, Op. 5~Intermezzo. Andante molto
- Piano Sonata No. 3 in F minor, Op. 5~Finale. Allegro moderato ma rubato
- Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia'~Andante
- Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia'~Allegro molto e vivace
- Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia'~Adagio con espressione
- Piano Sonata No. 13 in E flat major, Op. 27 No. 1 'Quasi una fantasia'~Allegro vivace
- Études symphoniques, Op. 13~Theme. Andante
- Études symphoniques, Op. 13~No. 1, Un poco più vivo
- Études symphoniques, Op. 13~Var. 1
- Études symphoniques, Op. 13~No. 2, Andante
- Études symphoniques, Op. 13~No. 3, Vivace
- Études symphoniques, Op. 13~No. 4, Allegro marcato
- Études symphoniques, Op. 13~No. 5, Scherzando
- Études symphoniques, Op. 13~No. 6, Agitato
- Études symphoniques, Op. 13~Var. 2
- Études symphoniques, Op. 13~No. 7, Allegro molto
- Études symphoniques, Op. 13~Var. 3
- Études symphoniques, Op. 13~Var. 4
- Études symphoniques, Op. 13~No. 8, Sempre marcatissimo
- Études symphoniques, Op. 13~Var. 5
- Études symphoniques, Op. 13~No. 9, Presto possibile
- Études symphoniques, Op. 13~No. 10, Allegro con energia
- Études symphoniques, Op. 13~No. 11, Andante espressivo
- Études symphoniques, Op. 13~No. 12, Allegro brillante
- Estampes (3)~No. 1, Pagodes
- Estampes (3)~No. 2, La soirée dans Grenade
- Estampes (3)~No. 3, Jardins sous la pluie
- Fantaisie in F Minor, Op. 49, B. 137
- Années de pèlerinage II, S. 161 "Italie"~No. 7, Après une lecture du Dante. Fantasia quasi sonata
- Piano Sonata No. 7 in D major, Op. 10 No. 3~Presto
- Piano Sonata No. 7 in D major, Op. 10 No. 3~Largo e mesto
- Piano Sonata No. 7 in D major, Op. 10 No. 3~Menuetto. Allegro
- Piano Sonata No. 7 in D major, Op. 10 No. 3~Rondo. Allegro
- Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'~Allegro assai
- Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'~Andante con moto
- Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'~Allegro ma non troppo - Presto
- Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'~Das Lebewohl
- Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'~Abwesenheit
- Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'~Das Wiedersehen
- Piano Sonata No. 21 in C major, Op. 53 'Waldstein'~Allegro con brio
- Piano Sonata No. 21 in C major, Op. 53 'Waldstein'~Introduzione. Adagio molto
- Piano Sonata No. 21 in C major, Op. 53 'Waldstein'~Rondo. Allegretto moderato - Prestissimo
UPC: 5060216347172
Label: First Hand
Release Date: 9.19.25
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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