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Complete Harpsichord Music (Box) [CD] (ONLINE ORDER ONLY)
Complete Harpsichord Music (Box) [CD] (ONLINE ORDER ONLY)
Regular Price $33.99Product Type : CD
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The son of a Weimar-based organist, Johann Krebs (1713-1780) entered the Thomasschule in Leipzig under the tutelage of Capellmeister Bach at the age of 12 in 1726. There he remained for the best part of a decade, and a glowing testimonial from Bach commended his talents on the clavier, violin and lute, as well as in composition. Krebs never attained the Leipzig post which his instrumental talents deserved, but he served as an organist in several churches south of Leipzig through the course of a long and distinguished professional life which reached fruition as organist at the court of Prince Friedrich of Gotha-Altenburg from 1755 onwards. The inveterate traveler and commentator Charles Burney reported that 'M. Krebs of Altenburg, scholar of Sebastian Bach, has been much admired for his full and masterly manner of playing the organ.' The style of Krebs's own music reflects the transitional period in which he lived. The hand of the master lightly guides the cosmopolitan elegance of the three partitas on album 1 of this collection. Krebs compiled a Clavier-Übung (Keyboard Practice) of his own in 1744, from which Michele Benuzzi performs a C major suite and, six lively Italianate sonatas. A volume of six suites from 1746 shows the influence of the galant style which was coming into fashion at the time, embodied by the output of Bach's most accomplished son, Carl Philipp Emanuel. Several more suites here are sophisticated examples of Krebs's mastery in the 'French and Italian taste' as well as demonstrating the fluency of his keyboard writing and the craftsmanship of his counterpoint. This important collection joins several other albums of little-known keyboard music from the period, recorded for Brilliant Classics by Michele Benuzzi. A student of Ottavio Dantone, he has performed the complete sonatas of Scarlatti and given recitals at major festivals in Europe and Asia.
Tracklist:
- Partita II in B~I. Preludio (Adagio)
- Partita II in B~II. Fuga
- Partita II in B~III. Allemande
- Partita II in B~IV. Corranta
- Partita II in B~V. Sarabande
- Partita II in B~VI. Bourlesca
- Partita II in B~VII. Menuet I
- Partita II in B~VIII. Menuet II
- Partita II in B~IX. Menuet III
- Partita II in B~X. Gigue
- Partita IV in A minor~I. Fantasia
- Partita IV in A minor~II. Fuga
- Partita IV in A minor~III. Allemande
- Partita IV in A minor~IV. Courante
- Partita IV in A minor~V. Sarabande
- Partita IV in A minor~VI. Bourrée
- Partita IV in A minor~VII. Pastorelle
- Partita IV in A minor~VIII. Menuett
- Partita IV in A minor~IX. Gigue
- Partita VI in E flat~I. Präludium
- Partita VI in E flat~II. Fuga
- Partita VI in E flat~III. Allemande
- Partita VI in E flat~IV. Courante
- Partita VI in E flat~V. Sarabande
- Partita VI in E flat~VI. Gavotte
- Partita VI in E flat~VII. Polonoise
- Partita VI in E flat~VIII. Scherzo
- Partita VI in E flat~IX. Menuet
- Partita VI in E flat~X. Gigue
- Sechs Preambulis~I. Praeambulum I in C (Allegramente)
- Sechs Preambulis~II. Praeambulum II in D minor (Andante a gusto Italiano)
- Sechs Preambulis~III. Praeambulum III in E minor (Un poco Allegro)
- Sechs Preambulis~IV. Praeambulum IV in F (Vivace)
- Sechs Preambulis~V. Praeambulum V in G (Allegro)
- Sechs Preambulis~VI. Praeambulum VI in A minor (Allegro e non presto)
- Zweiter Teil der Clavier-Übung~Suite in C: I. Prelude
- Zweiter Teil der Clavier-Übung~Suite in C: II. Fugue a 3
- Zweiter Teil der Clavier-Übung~Suite in C: III. Allemande
- Zweiter Teil der Clavier-Übung~Suite in C: IV. Courante
- Zweiter Teil der Clavier-Übung~Suite in C: V. Sarabande
- Zweiter Teil der Clavier-Übung~Suite in C: VI. Gavotte
- Zweiter Teil der Clavier-Übung~Suite in C: VII. Menuet I
- Zweiter Teil der Clavier-Übung~Suite in C: VIII. Menuet II (Lentement)
- Zweiter Teil der Clavier-Übung~Suite in C: IX. Scherzo
- Zweiter Teil der Clavier-Übung~Suite in C: X. Polonoise
- Zweiter Teil der Clavier-Übung~Suite in C: XI. Cantable
- Zweiter Teil der Clavier-Übung~Suite in C: XII. Gigue
- Dritte Teil der Clavier-Übung~Sonatina Prima in A minor: I. Allegro
- Dritte Teil der Clavier-Übung~Sonatina Prima in A minor: II. Siciliana
- Dritte Teil der Clavier-Übung~Sonatina Prima in A minor: III. Allegro assai
- Dritte Teil der Clavier-Übung~Sonatina Seconda in D: I. Allegro
- Dritte Teil der Clavier-Übung~Sonatina Seconda in D: II. Andante
- Dritte Teil der Clavier-Übung~Sonatina Seconda in D: III. Vivace
- Dritte Teil der Clavier-Übung~Sonatina Terza in C minor: I. Allegro un poco andante
- Dritte Teil der Clavier-Übung~Sonatina Terza in C minor: II. Largo
- Dritte Teil der Clavier-Übung~Sonatina Terza in C minor: III. Allegramente
- Dritte Teil der Clavier-Übung~Sonatina Quarta in B: I. Vivace
- Dritte Teil der Clavier-Übung~Sonatina Quarta in B: II. Adagio
- Dritte Teil der Clavier-Übung~Sonatina Quarta in B: III. Vivace
- Dritte Teil der Clavier-Übung~Sonatina Quinta in E: I. Un poco allegro
- Dritte Teil der Clavier-Übung~Sonatina Quinta in E: II. Andante
- Dritte Teil der Clavier-Übung~Sonatina Quinta in E: III. Allegretto
- Dritte Teil der Clavier-Übung~Sonatina Sesta in F: I. Allegro non troppo
- Dritte Teil der Clavier-Übung~Sonatina Sesta in F: II. Larghetto
- Dritte Teil der Clavier-Übung~Sonatina Sesta in F: III. Tempo di Minuetto
- Suite I in D~I. Prelude
- Suite I in D~II. Allemande
- Suite I in D~III. Courante
- Suite I in D~IV. Sarabande
- Suite I in D~V. Menuet
- Suite I in D~VI. Burlesca
- Suite I in D~VII. Rigaudon
- Suite I in D~VIII. Gigue
- Suite II in B minor~I. Allemande
- Suite II in B minor~II. Courante
- Suite II in B minor~III. Sarabande
- Suite II in B minor~IV. Passepied
- Suite II in B minor~V. Air
- Suite II in B minor~VI. Menuet
- Suite II in B minor~VII. Gigue
- Suite III in E flat~I. Fantasia
- Suite III in E flat~II. Allemande
- Suite III in E flat~III. Courante
- Suite III in E flat~IV. Sarabande
- Suite III in E flat~V. Harlequinade
- Suite III in E flat~VI. Polonoise
- Suite III in E flat~VII. Gavotte
- Suite III in E flat~VIII. Menuet alternat
- Suite III in E flat~IX. Menuet II
- Suite III in E flat~X. Gigue
- Suite IV in C~I. Allemande
- Suite IV in C~II. Courante
- Suite IV in C~III. Sarabande
- Suite IV in C~IV. Bourrée I
- Suite IV in C~V. Bourrée II
- Suite IV in C~VI. Polonaise
- Suite IV in C~VII. Capriccio
- Suite V in F~I. Prelude
- Suite V in F~II. Allemande
- Suite V in F~III. Courante
- Suite V in F~IV. Sarabande
- Suite V in F~V. Menuet I
- Suite V in F~VI. Menuet II
- Suite V in F~VII. Gigue
- Suite VI in C minor~I. Allemande
- Suite VI in C minor~II. Courante
- Suite VI in C minor~III. Sarabande
- Suite VI in C minor~IV. Rondeaux
- Suite VI in C minor~V. Menuet alternat
- Suite VI in C minor~VI. Trio
- Suite VI in C minor~VII. Gigue
- Suite in A minor~I. Prelude
- Suite in A minor~II. Fuga
- Suite in A minor~III. Allemanda
- Suite in A minor~IV. Courrante
- Suite in A minor~V. Sarabande
- Suite in A minor~VI. Bourrée I
- Suite in A minor~VII. Bourrée II
- Suite in A minor~VIII. Menuet I
- Suite in A minor~IX. Menuet II (Andante)
- Suite in A minor~X. Gavotte
- Suite in A minor~XI. Polonoise
- Suite in A minor~XII. Aria un poco Vivace
- Suite in A minor~XIII. Gigue
- Suite in A minor~XIV. Tempo di Menuet - Trio
- Ouverture in G minor~I. Ouverture
- Ouverture in G minor~II. Lentement
- Ouverture in G minor~III. Vivement
- Ouverture in G minor~IV. Paisan
- Ouverture in G minor~V. Menuett I
- Ouverture in G minor~VI. Menuett II en Trio (Lentement)
- Ouverture in G minor~VII. Gavotte
- Ouverture in G minor~VIII. Air avec doubles
- Ouverture in G minor~IX. Passepied I
- Ouverture in G minor~X. Passepied II
- Ouverture in G minor~XI. Rigaudon
- Concerto in G~I. Allegro
- Concerto in G~II. Andante
- Concerto in G~III. Vivace
- Sonata in A minor~I. Fantasia - Allegro
- Sonata in A minor~II. Allegretto
- Sonata in A minor~III. Allegro assai
UPC: 5028421957234
Label: Brilliant Classics
Release Date: 9.24.21
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
'
'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
'
'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
'