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Cui: Complete Pno Music Vol. 1 [CD] (ONLINE ORDER ONLY)
Cui: Complete Pno Music Vol. 1 [CD] (ONLINE ORDER ONLY)
Regular Price $19.99Product Type : CD
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First recordings of Romantic-era piano miniatures by an overlooked figure in the 'New Russian School' of composers known as 'The Mighty Handful'. 'Irretrievably forgotten' was the verdict of the musicologist Richard Taruskin on the music of Cesar Cui. He would be deprecated in our time as a dilettante composer, being a man of parts who made his career in the Russian military, firstly as an officer and then as an expert on fortifications. In that capacity Cui became a professor in Moscow while also writing prolifically about music: he was known as a stern critic, and he played an instrumental role in promoting a new, distinctively Russian school of music which built on the nationalist operas of Glinka and Mussorgsky. In that context, Cui's own music sounds at odds with his philosophy, cultivating as it does a central-European poetic style indebted to the examples of Chopin and Schumann. Marco Rapetti is the first-ever pianist to record his complete piano output, and this first volume covers the years 1877 to 1888, from the Trois morceaux Op.8 to the Trois mouvements de valse Op.41. Delightful sets of miniatures include mazurkas and serenades no less charming for their brevity. Most substantial of the collections featured here are the Suite Op.21, dedicated to Franz Liszt, and a suite of nine 'pieces caracteristiques' Op.40, dedicated to the count and countess de Mercy-Argenteau; the countess was a tireless promoter of Cui's music in western Europe. Marco Rapetti has made a speciality of recording neglected Russian piano music, including sets on Brilliant Classics dedicated to the work of Alexander Borodin and Anatoly Lyadov. In welcoming his set of Debussy's two-piano works, where he was partnered by Massimillano Damerini, the Fanfare magazine reviewer noted that 'Damerini and Rapetti perform with perfect unanimity and a verve and elan that bring out all the vividness of the orchestral works.'
Tracklist:
- Trois Morceaux, Op. 8-I. Nocturne
- Trois Morceaux, Op. 8-II. Scherzino
- Trois Morceaux, Op. 8-III. Polka
- Scherzino (For the Magazine Semya I Shkola, 1879)
- Douze Miniatures, Op. 20-I. Expansion Naïve
- Douze Miniatures, Op. 20-II. Aveu Timide
- Douze Miniatures, Op. 20-III. Petite Valse
- Douze Miniatures, Op. 20-IV. A la Schumann
- Douze Miniatures, Op. 20-V. Cantabile
- Douze Miniatures, Op. 20-VI. Souvenir Douloureux
- Douze Miniatures, Op. 20-VII. Mosaïque
- Douze Miniatures, Op. 20-VIII. Berceuse
- Douze Miniatures, Op. 20-IX. Canzonetta
- Douze Miniatures, Op. 20-X. Petite Marche
- Douze Miniatures, Op. 20-XI. Mazurka
- Douze Miniatures, Op. 20-XII. Scherzo Rustique
- Suite, Op. 21 ("A François Liszt", 1883)-I. Impromptu
- Suite, Op. 21 ("A François Liszt", 1883)-II. Ténèbres Et Lueurs
- Suite, Op. 21 ("A François Liszt", 1883)-III. Intermezzo
- Suite, Op. 21 ("A François Liszt", 1883)-IV. Alla Polacca
- Six Miniatures, Op. 39-I. Marionettes Espagnoles
- Six Miniatures, Op. 39-II. Feuille D'album
- Six Miniatures, Op. 39-III. Étude Arabesque
- Six Miniatures, Op. 39-IV. Au Berceau
- Six Miniatures, Op. 39-V. Marche-Étude
- Six Miniatures, Op. 39-VI. Romanzetta
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-I. Le Cèd
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-II. Far Ni
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-III. Capri
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-IV. La Pet
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-V. Sérén
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-VI. Causer
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-VII. Mazur
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-VIII. A la
- A Argenteau, Recueil de Neuf Pièces Caractéristiques, Op. 40 ("Au Comte Et A la Comtesse de Mercy-Argenteau", 1887)-IX. Le Roc
- Trois Mouvements de Valse, Op. 41-I. Valse-Scherzo
- Trois Mouvements de Valse, Op. 41-II. Valse-Intermezzo
- Trois Mouvements de Valse, Op. 41-III. Valse A la Viennoise
UPC: 5063758102117
Label: Piano Classics
Release Date: 3.13.26
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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