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Echos Entombed: The Demo Anthology (1991-1992) [CD] (ONLINE ORDER ONLY)
Echos Entombed: The Demo Anthology (1991-1992) [CD] (ONLINE ORDER ONLY)
Regular Price $17.99Product Type : CD
Hurry! Only3units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
The criminally short-lived and underrated Epitaph began taking shape in Tampa, FL circa 1990, when drummer Kevin Astl and guitarist/vocalist Tony Teegarden eventually hooked up with Wayne Burgess (guitar) and Mark Good (bass). The quartet specifically set out to craft an intelligent and technical form of death metal that was brutal yet digestible, and by 1991 found themselves recording a three-song demo with Tom Morris at the legendary Morrisound Recording-complete with backing vocals from OBITUARY'S John Tardy. Burgess was replaced by Scott Senokossoff on guitar, and an equally excellent two-song 1992 demo was once more tracked at Morrisound, this time with the mighty Scott Burns.Having performed live alongside ATHEIST, RESURRECTION, and even a slot opening for PANTERA, the band's mind-bending output (crucially perfect for fans of demo-era CYNIC) finally caught the attention of Massacre Records-with whom they nearly secured a deal-but, sadly, negotiations gradually fell apart. While Epitaph absolutely should have gone on to become heralded alongside renowned Florida greats such as CYNIC and ATHEIST, the group instead found itself unofficially "done" before the end of 1992, at which time Teegarden auditioned for CYNIC and would go on to contribute to their groundbreaking masterpiece, Focus.At long last, nearly 30 years later, Divebomb Records is thrilled to finally grant Epitaph'S superb five-song discography a proper CD release with Echoes Entombed: The Demo Anthology (1991-1992). The release will also present three ripping bonus tracks fully remixed by Mark Lewis-who members of Epitaph became familiar with through his early work at Audiohammer in Florida-at MRL Studios outside Nashville. Remastered by Jamie King Audio, the disc's booklet will be packed with lyrics, archival photographs, and a retrospective interview with the entirety of the band's "classic" lineup. For the fans, by the fans!
Tracklist:
- I Endeavor
- Once Removed
- Transgression of Dreams
- Quantum of Solace
- Inbred
- I Endeavor
- Inbred
- Quantum of Solace
UPC: 711576020421
Label: Divebomb
Release Date: 8.21.20
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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