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Geminiani: Concerti Grossi Op. 2 & 3 [CD] (ONLINE ORDER ONLY)
Geminiani: Concerti Grossi Op. 2 & 3 [CD] (ONLINE ORDER ONLY)
Regular Price $14.99Product Type : CD
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Francesco Saverio Geminiani (1687-1762), born in Lucca, began his study at an early age with his father, but his most important lessons followed in his years with the great Roman Master, Arcangelo Corelli. Composition lessons with Alessandro Scarlatti helped inspire and solidify his craft. In 1714 Geminiani settled in London, where he quickly gained fame as an ensemble player, concert violinist, and teacher. Here he became friends with Handel and led the orchestra during many performances together. Geminiani enjoyed great success not only in London, but also in Ireland where he spent a considerable amount of time. In 1760 he settled in Dublin, dying there in somewhat impoverished circumstances in 1762.Geminiani's playing was distinguished by it's great expressiveness, richness of dynamic coloring, extraordinary liveliness, and a strong temperament. Tartini tellingly called Geminiani "il furibondo" - the furious one!Among his most significant contributions to the Baroque concerto repertoire are his Concerti grossi Opp. 2 and 3, published in 1732 and 1733 respectively. These sets each consist of six concertos and follow the model established by Corelli, particularly his Concerti grossi Op.6. However, Geminiani's works are more expansive and harmonically adventurous. They often feature intricate contrapuntal writing and dramatic contrasts between the concertino (the group of solo instruments) and the ripieno (full ensemble), a hallmark of the concerto grosso form.Op.2 is notable for it's lyrical elegance and refined structure, while Op.3 reveals a bolder, more expressive style, perhaps reflecting Geminiani's growing independence from Corelli's shadow. These works were not only designed for public concert performance but also for teaching and domestic music-making, showing Geminiani's skill in balancing artistic depth with accessibility.Geminiani's Concerti Grossi were well-received in his time and continued to be admired for their rich textures and expressive power. They exemplify the late Baroque ideal of merging virtuosity with emotional intensity. Today, they remain a staple of early music ensembles, highlighting Geminiani's role as a key figure in transmitting and transforming the Italian Baroque tradition for an international audience.Played by the Italian elite group L'Archicembalo, who previously recorded, to great critical acclaim, the String Concertos by Vivaldi for Brilliant Classics.
Tracklist:
- Concerto Grosso No. 1 in C minor Op. 2/1-I. Andante
- Concerto Grosso No. 1 in C minor Op. 2/1-II. Allegro
- Concerto Grosso No. 1 in C minor Op. 2/1-III. Adagio
- Concerto Grosso No. 1 in C minor Op. 2/1-IV. Allegro
- Concerto Grosso No. 2 in C minor Op. 2/2-I. Adagio
- Concerto Grosso No. 2 in C minor Op. 2/2-II. Allegro
- Concerto Grosso No. 2 in C minor Op. 2/2-III. Adagio
- Concerto Grosso No. 2 in C minor Op. 2/2-IV. Allegro
- Concerto Grosso No. 3 in D minor Op. 2/3-I. Presto
- Concerto Grosso No. 3 in D minor Op. 2/3-II. Adagio
- Concerto Grosso No. 3 in D minor Op. 2/3-III. Allegro
- Concerto Grosso No. 4 in D Op. 2/4-I. Andante
- Concerto Grosso No. 4 in D Op. 2/4-II. Allegro
- Concerto Grosso No. 4 in D Op. 2/4-III. Adagio
- Concerto Grosso No. 4 in D Op. 2/4-IV. Allegro
- Concerto Grosso No. 5 in D minor Op. 2/5-I. Grave
- Concerto Grosso No. 5 in D minor Op. 2/5-II. Allegro
- Concerto Grosso No. 5 in D minor Op. 2/5-III. Adagio
- Concerto Grosso No. 5 in D minor Op. 2/5-IV. Allegro
- Concerto Grosso No. 6 in a Op. 2/6-I. Andante
- Concerto Grosso No. 6 in a Op. 2/6-II. Allegro
- Concerto Grosso No. 6 in a Op. 2/6-III. Adagio
- Concerto Grosso No. 6 in a Op. 2/6-IV. Allegro
- Concerto Grosso No. 1 in D Op. 3/1-I. Adagio
- Concerto Grosso No. 1 in D Op. 3/1-II. Allegro
- Concerto Grosso No. 1 in D Op. 3/1-III. Adagio
- Concerto Grosso No. 1 in D Op. 3/1-IV. Allegro
- Concerto Grosso No. 2 in G minor Op. 3/2-I. Largo E Staccato
- Concerto Grosso No. 2 in G minor Op. 3/2-II. Allegro
- Concerto Grosso No. 2 in G minor Op. 3/2-III. Adagio
- Concerto Grosso No. 2 in G minor Op. 3/2-IV. Allegro
- Concerto Grosso No. 3 in E minor Op. 3/3-I. Adagio E Staccato
- Concerto Grosso No. 3 in E minor Op. 3/3-II. Allegro
- Concerto Grosso No. 3 in E minor Op. 3/3-III. Adagio
- Concerto Grosso No. 3 in E minor Op. 3/3-IV. Allegro
- Concerto Grosso No. 4 in D minor Op. 3/4-I. Largo E Staccato
- Concerto Grosso No. 4 in D minor Op. 3/4-II. Allegro-Largo-Allegro
- Concerto Grosso No. 4 in D minor Op. 3/4-III. Vivace
- Concerto Grosso No. 5 in B Flat Op. 3/5-I. Adagio
- Concerto Grosso No. 5 in B Flat Op. 3/5-II. No Tempo Indication
- Concerto Grosso No. 5 in B Flat Op. 3/5-III. Adagio
- Concerto Grosso No. 5 in B Flat Op. 3/5-IV. Allegro
- Concerto Grosso No. 6 in E minor Op. 3/6-I. Adagio
- Concerto Grosso No. 6 in E minor Op. 3/6-II. Allegro-Adagio-Allegro
- Concerto Grosso No. 6 in E minor Op. 3/6-III. Adagio
- Concerto Grosso No. 6 in E minor Op. 3/6-IV. Allegro
UPC: 5063758973830
Label: Brilliant Classics
Release Date: 1.16.26
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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