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Harpsichord Music [CD] (ONLINE ORDER ONLY)
Harpsichord Music [CD] (ONLINE ORDER ONLY)
Regular Price $20.99Product Type : CD
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A monumental collection of German-Baroque keyboard literature, presented complete for the first time on record, and coupled with dance suites by an unfamiliar name of the late German Baroque.The modern-day reputation of Christian Petzold (1677-1733) is almost wholly based on a single, modest minuet. Known to generations of young pianists as 'the Minuet in G', it was included by Bach in one of the notebooks of pieces he gave to his wife, Anna Magdalena, for her instruction. In turn this led to the minuet itself being mistakenly attributed to Bach himself. Yet much more of Petzold's output has survived, and only now is it coming to light. Having recorded complete sets of many unsung heroes of the German Baroque, Fernando de Luca now turns to the collection of no fewer than 25 'Concertos' for solo harpsichord by Petzold. Published in 1729 as 'Receuil des XXV', the collection first appeared in Dresden, where Petzold was organist to the royal court. The form of these concertos is Italianate, and their heavily ornate soundworld is recognisable from the better-known example of Vivaldi and Corelli. There are dance movements here and there - including minuets - but the predominant genres are determined by tempo: Allegro, Larghetto, Presto and so on. They make such an immediately attractive effect that it is surprising they are not better known, and this release will attract the attention of all adventurous listeners to Baroque rarities.Fernando de Luca pairs the 25 concertos of Petzold with a collection of three 'Parthias' - partitas by another name - from an even more obscure figure, Isfrid Kayser. Known as 'Concors digitorum discordia', this collection was published in Augsburg in 1746 and conforms to the conventions of a Baroque suite with it's graceful sequences of dances, prefaced by a grand overture and concluding with a dashing Presto movement. As so often, Fernando de Luca demonstrates his abilities to revive this music with lucid phrasing, lively registration and an unfailing sense of Baroque style. Scholarly background on both composers is provided in the booklet with an essay by Francesca Scotti.Christian Petzold (1677-1733) was a German organist and composer, holding court positions in Dresden. From 1703, he was organist at the Sophienkirche in Dresden and from 1709 also chamber composer at the Saxon court there. Extensive concert tours took him to Paris in 1714 and Venice in 1716.
Tracklist:
- Harpsichord Concerto No. 1 in F~I. Vivace
- Harpsichord Concerto No. 1 in F~II. Adagio
- Harpsichord Concerto No. 1 in F~III. Allegro
- Harpsichord Concerto No. 2 in D~I. Vivace
- Harpsichord Concerto No. 2 in D~II. Larghetto
- Harpsichord Concerto No. 2 in D~III. Arioso
- Harpsichord Concerto No. 3 in A~I. Vivace
- Harpsichord Concerto No. 3 in A~II. Tempo di Gavotta
- Harpsichord Concerto No. 3 in A~III. Larghetto
- Harpsichord Concerto No. 3 in A~IV. Vivace
- Harpsichord Concerto No. 3 in A~V. Menuet en Rondeau
- Harpsichord Concerto No. 4 in E minor~I. [Allegro]
- Harpsichord Concerto No. 4 in E minor~II. Larghetto
- Harpsichord Concerto No. 4 in E minor~III. Staccato
- Harpsichord Concerto No. 4 in E minor~IV. Allegro ma non troppo
- Harpsichord Concerto No. 5 in A minor~I. Allegro
- Harpsichord Concerto No. 5 in A minor~II. Larghetto
- Harpsichord Concerto No. 5 in A minor~III. Presto
- Harpsichord Concerto No. 6 in G minor~I. Vivace
- Harpsichord Concerto No. 6 in G minor~II. Grave
- Harpsichord Concerto No. 6 in G minor~III. Arioso
- Harpsichord Concerto No. 7 in G~I. Adagio
- Harpsichord Concerto No. 7 in G~II. Vivace
- Harpsichord Concerto No. 7 in G~III. Larghetto
- Harpsichord Concerto No. 7 in G~IV. Allegro
- Harpsichord Concerto No. 7 in G~V. Presto
- Harpsichord Concerto No. 8 in B flat~I. Vivace
- Harpsichord Concerto No. 8 in B flat~II. Adagio
- Harpsichord Concerto No. 8 in B flat~III. Allegro
- Harpsichord Concerto No. 9 in C minor~I. Vivace
- Harpsichord Concerto No. 9 in C minor~II. Adagio
- Harpsichord Concerto No. 9 in C minor~III. Allegro
- Harpsichord Concerto No. 9 in C minor~IV. Tempo di Minuetto
- Harpsichord Concerto No. 10 in C~I. Andante
- Harpsichord Concerto No. 10 in C~II. Larghetto
- Harpsichord Concerto No. 10 in C~III. Allegro ma non troppo
- Harpsichord Concerto No. 10 in C~IV. Sarabande
- Harpsichord Concerto No. 10 in C~V. Menuet I-II-III
- Harpsichord Concerto No. 11 in F minor~I. Affettuoso
- Harpsichord Concerto No. 11 in F minor~II. Allegro
- Harpsichord Concerto No. 11 in F minor~III. Adagio
- Harpsichord Concerto No. 11 in F minor~IV. Presto
- Harpsichord Concerto No. 11 in F minor~V. Aria (Vivace)
- Harpsichord Concerto No. 12 in D minor~I. Vivace
- Harpsichord Concerto No. 12 in D minor~II. Arioso
- Harpsichord Concerto No. 12 in D minor~III. Largo
- Harpsichord Concerto No. 12 in D minor~IV. Allegro
- Harpsichord Concerto No. 13 in C minor~I. Allegro
- Harpsichord Concerto No. 13 in C minor~II. Largo
- Harpsichord Concerto No. 13 in C minor~III. Spirituoso
- Harpsichord Concerto No. 13 in C minor~IV. Vivace
- Harpsichord Concerto No. 13 in C minor~V. Tempo di Minuetto
- Harpsichord Concerto No. 14 in E flat~I. [Allegro]
- Harpsichord Concerto No. 14 in E flat~II. Largo
- Harpsichord Concerto No. 14 in E flat~III. Arioso
- Harpsichord Concerto No. 15 in B-flat~I. Vivace
- Harpsichord Concerto No. 15 in B-flat~II. Adagio
- Harpsichord Concerto No. 15 in B-flat~III. Allegro
- Harpsichord Concerto No. 16 in F sharp minor~I. Vivace
- Harpsichord Concerto No. 16 in F sharp minor~II. Affettuoso
- Harpsichord Concerto No. 16 in F sharp minor~III. Vivace
- Harpsichord Concerto No. 17 in B minor~I. Vivace
- Harpsichord Concerto No. 17 in B minor~II. Larghetto
- Harpsichord Concerto No. 17 in B minor~III. Allegro
- Harpsichord Concerto No. 18 in D~I. [Allegro]
- Harpsichord Concerto No. 18 in D~II. Adagio
- Harpsichord Concerto No. 18 in D~III. Allegro
- Harpsichord Concerto No. 18 in D~IV. Tempo di Minuetto
- Harpsichord Concerto No. 19 in A minor~I. Vivace
- Harpsichord Concerto No. 19 in A minor~II. Andante
- Harpsichord Concerto No. 19 in A minor~III. Allegro
- Harpsichord Concerto No. 19 in A minor~IV. Menuet
- Harpsichord Concerto No. 20 in E~I. [Andante]
- Harpsichord Concerto No. 20 in E~II. Adagio
- Harpsichord Concerto No. 20 in E~III. Arioso (Rondeau)
- Harpsichord Concerto No. 20 in E~IV. Tempo di Gavotta
- Harpsichord Concerto No. 21 in E minor~I. Vivace
- Harpsichord Concerto No. 21 in E minor~II. Larghetto
- Harpsichord Concerto No. 21 in E minor~III. Presto
- Harpsichord Concerto No. 22 in C~I. Spirituoso
- Harpsichord Concerto No. 22 in C~II. Adagio
- Harpsichord Concerto No. 22 in C~III. Allegro
- Harpsichord Concerto No. 23 in F~I. Allegro
- Harpsichord Concerto No. 23 in F~II. Affettuoso
- Harpsichord Concerto No. 23 in F~III. Presto
- Harpsichord Concerto No. 23 in F~IV. Tempo di Minuetto (Minuetto I-II)
- Harpsichord Concerto No. 24 in G minor~I. Affettoso
- Harpsichord Concerto No. 24 in G minor~II. Vivace
- Harpsichord Concerto No. 24 in G minor~III. Adagio
- Harpsichord Concerto No. 24 in G minor~IV. Presto
- Harpsichord Concerto No. 25 in G~I. [Allegro]
- Harpsichord Concerto No. 25 in G~II. Adagio
- Harpsichord Concerto No. 25 in G~III. Presto
- Harpsichord Concerto No. 25 in G~IV. Tempo di Gavotta
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D [Concerto] Allegro
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D Corrente
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D Menuet - Trio
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D Passepied - Trio
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D Adagio
- Concors digitorum discordia, Op. 4~Parthia No. 1 in D Presto. Quique (Gigue)
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Intrada. Allegro
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Cantabile. Grave
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Fantasia. Presto
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Menuet - Trio
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Gavotte en Rondeau
- Concors digitorum discordia, Op. 4~Parthia No. 2 in E flat Finale. Presto
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Ouverture. Grave - Presto
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Gavott rondeau. Ariosè [sic]
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Capricio. Vivacè [sic]
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Menuet - Trio
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Siciliana (Pastorale)
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Riguadon
- Concors digitorum discordia, Op. 4~Parthia No. 3 in B flat Quique (Gigue)
UPC: 5028421970899
Label: Brilliant Classics
Release Date: 2.7.25
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
'
'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
'
'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
'