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Ipan In Xiktli Metztli - Mexico Magico Cosmico El Ombligo de la Luna [LP] (ONLINE ORDER ONLY)
Ipan In Xiktli Metztli - Mexico Magico Cosmico El Ombligo de la Luna [LP] (ONLINE ORDER ONLY)
Regular Price $28.99Product Type : Vinyl
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Double vinyl LP pressing. 2018 release. Luis Pe'rez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the research of pre-Columbian instrumentation. This research that allowed him to travel the Mexican territory and study musical traditions of the native peoples of Mexico. He learned directly from the living sources of the music and collected samples of musical instruments and the songs of different native speakers including Maya, Nahuatl, Mazateco, Yoemem, Comcaac, Raramuri, Wixarika and more. His personal collection of native Mexican instruments includes ethnographic instruments still in use by ethnic groups, along with archaeological artifacts some of which are more than 2, 000 years old. He continuously utilizes these instruments in performances, concerts, lectures, exhibitions and recordings, in a sense, keeping them alive. Following a decade playing in Mexico City's psychedelic rock scene, his early solo work was a mixture of sounds derived from his vast array of pre-Hispanic and ethnographic wind and percussions which he managed to blend with electronic devices including tape delay units, electric guitars and synthesizers. During this time, he was given the name Ixoneztli (or "one who makes music") by the legendary curandera Pachita and her son Enrique, to whom, like Alejandro Jodorowsky before him, Luis served as assistant. In 1981, the Mexican government became very interested Pe'rez work and sponsored the production of what became the first recording of the fusion of native Mexican instruments with electronics - entitled Ipan In Xiktli Metztli, in the Nahuatl language, or en el Ombligo de la Luna in Spanish... In the Navel of the Moon. The impact of this recording and subsequent performances among media, ethnomusicologists and audiences alike established Luis Perez Ixoneztli as a precursor to a new musical genre followed by a generation of young Mexican musicians - Ethno-Rock, Ethno-Jazz, Ethno-Experimental and the like. 'El Ombligo de la Luna' reaches us from deep in the past but it also exists entirely outside of time, as Luis Pe'rez 'Ixoneztli's offering to the world - the soul of Mexico channeled through the hands of a master musician.
Tracklist:
- Culto Solar - In Altepetl Tonal
- Suite Al Culto Solar - Xochiyaoyoloh
- Suite Al Culto Solar - Ketzalkoatl Yauh Miktlan
- Ipan In Xiktli Metztli
UPC: 7119691250311
Label: Mr Bongo
Release Date: 6.15.18
Format: VinylAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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