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Joel Harrison - Still Point: Turning World [CD] (ONLINE ORDER ONLY)
Joel Harrison - Still Point: Turning World [CD] (ONLINE ORDER ONLY)
Regular Price $15.95Product Type : CDs
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Joel Harrison - Joel Harrison - Still Point: Turning World [CD]
Barcode: 7061118786494To enter the immersive realm of 'Still Point: Turning World' is to join guitarist/composer Joel Harrison and colleagues in embracing the gloriously enlightening globalisation of music, unhindered by category or preconception.
This original eight-movement work brings together contemporary percussion quartet Talujon (Matt Ward, Michael Lipsey, Tom Kolor, David Cossin), Indian sarode player Anupam Shobhakar, and jazz musicians Hans Glawaschnig (bass), Ben Wendel (saxophone/bassoon) and Dan Weiss (drums/tabla) to realise the guitarist's striking, kaleidoscopic vision. Guests include V. Selvaganesh (percussion), Nittin Mitta (tabla), and Stephan Crump (bass).
The breadth of Washington DC-born Joel Harrison's discography (twenty albums, as leader) speaks of the eclecticism of his creativity, encompassing jazz, blues, rock, classical, Appalachian music, and intensely personal, lyrical songs. 2014 Whirlwind release Leave the Door Open (also featuring Anupam Shobhakar) provided an earlier glimpse of his inspired interactions. 'Still Point: Turning World' seeks out further expansive pathways thanks to Harrison's skilful integration of beguiling, unexpected timbres and rhythms, all presented by the virtuosic and shared prowess of this impressive nonet.
Dive into "Raindrops in Uncommon Times" and you're transported along marimba and tabla-hued tributaries as guitar, sarode, sax, and konnakol improvisations coruscate across its rippling shadows; and in "One is Really Many", the excitement of Shobhakar's complex Indian raga patterns are matched by Weiss's intense, fiery drumming. Elsewhere Harrison's gritty, wailing guitar phrases and Wendel's extraordinary wailing saxophone colour "Permanent Impermanence".
"The concept of 'Still Point: Turning World' is to take the listener on a soulful journey", confirms Harrison. "The aim is to go deeply into quiet, private introverted spaces, and then also into passionate explosions of percussive wildness." This is, indeed, a genre-busting odyssey of discovery.
Mvt.1 Raindrops In Uncommon Times / One Is Really Many / Permanent Impermanence / Mvt.4 Wind Over Eagle Lake / Mvt.5 Ballad Of Blue Mountain / Mvt.6 Time Present Time Past / Mvt. 7 Creator/Destroyer / Mvt.8 Blue Mountain (A Slight Return)
- Format Detail: CD
- Format: CD
- Genre: Jazz
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Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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