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Life Between Islands - Soundsystem Culture: Black Musical Expression in the UK 1973-2006 [CD] (ONLINE ORDER ONLY)
Life Between Islands - Soundsystem Culture: Black Musical Expression in the UK 1973-2006 [CD] (ONLINE ORDER ONLY)
$22.99$24.99Product Type : CDs
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Soul Jazz Records’ new ‘Life Between Islands’ collection is inspired by the launch of Tate Britain’s exhibition of the same name, exploring the links between Caribbean and British art and culture from the 1950s to now. The album focuses on the most important Black British musical styles to emerge out of the distinctly Caribbean world of sound systems, featuring an all-star line-up including Dennis Bovell, Shut Up and Dance, Cymande, Digital Mystikz, Brown Sugar, Funk Masters, Janet Kay, Ragga Twins – a lightning-rod journey across Roots Reggae, Jungle/Drum & Bass, Jazz-Funk, Lovers Rock, Jazz and Dubstep. Many of the tracks represent how Black British artists defined their own identity, such as Brown Sugar’s righteous ‘Black Pride’ and Tabby Cat Kelly’s powerful ‘Don’t Call Us Immigrants’. Aside from being musically rooted in the distinctly Jamaican-born phenomenon of the sound system, much of this identity is also shaped by the triangular relationship of being British-born, of Caribbean heritage, and with an equal love of African-American Jazz, Funk and Soul, as evidenced with many Lovers Rock reggae covers of American soul tunes. This stateside influence can also be heard in groups such as the Funk Masters whose jazz-funk music successfully crossed over into New York’s clubland, and the great Cymande, whose unique street-funk became staple material for numerous US hip-hop artists. In the early 1990s, jungle and drum & bass artists took the essence of reggae’s soundsystem culture – MCs, dubplates, crews – and applied them to their own music, combining heavy reggae bass lines with intense double-speed drum breakbeats. At the new movement's forefront were Shut Up and Dance, working closely with The Ragga Twins. In the early 2000s, dubstep, spearheaded by Digital Mystikz, became the latest instalment in this ever-evolving soundsystem culture. This collection shows how these many styles were interconnected. CD 1 1. Black Slate - Sticks Man (3.36) 2. Dee Sharp - Rising To The Top (4.44) 3. Asher Senator - One Bible (5.01) 4. Cymande - Fug (4.27) 5. Digital Mystikz - Misty Winter (4.54) 6. Winston Curtis - Be Thankful For What You've Got (5.37) 7. Trevor Hartley - It Must Be Love (3.24) 8. Shut Up and Dance featuring The Ragga Twins - Java Bass (3.49) 9. Brown Sugar - Black Pride (3.25) 10. The Terrorist - RK1 (6.26) 11. Black Harmony - Don't Let It Go To Your Head (7.20) CD2 1. Pebbles - Positive Vibrations (3.47) 2. The Ragga Twins - Ragga Trip (4.37) 3. Janet Kay and Alton Ellis - Still In Love (3.30) 4. Funk Masters - Love Money (6.30) 5. Cosmic Idren - Compelled (3.37) 6. Harry Beckett - No Time For Hello (8.44) 7. Sandra Reid - Ooh Boy (3.49) 8. Tabby Cat Kelly - Don't Call Us Immigrants (5.53) 9. Brown Sugar - I'm In Love With A Dreadlocks (3.23)- Format Detail: 2CD with slipcase, extensive sleeve notes & exclusive photography
- Format: CD
- Label: Fire Records
- Genre: Reggae
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Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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