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Lucky Four [Vinyl] (ONLINE ORDER ONLY)
Lucky Four [Vinyl] (ONLINE ORDER ONLY)
Regular Price $56.99Product Type : Vinyl
Hurry! Only2units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
Not many jazz saxophone players bring most of the landmark stages of the instrument’s evolution together in an on-the-fly improvisational setting without it sounding like musical tourism. Sonny Rollins and Joe Lovano are leading examples, and so is the majestic David Murray, who whirls up from romantic Ben Webster-like smoke-rings to vocalised free-jazz wails without dropping a stitch here. Murray is nowadays often to be found either paying creative tributes to John Coltrane, or making a ruggedly vivacious world music with non-jazz players from Morocco and elsewhere. But this reissued 1988 set represents Murray at his most accessible. From the opening Valley Talk, with its intensifying showers of tenor-sax notes over a sultry tango, through the bluesy saunter of Chazz to the novelty song for Jean Michel Basquiat that becomes a brooding blues, the music is strong, sensuous, and effortlessly masterly in the way its varied materials are juggled. It would make a fine Murray primer for newcomers.
Lucky Four is a smooth and luscious quartet date with Murray in the company of longtime associate Dave Burrell, bassist Wilber Morris, and drummer Victor Lewis. With the exception of a short piece by his manager Kunle Mwanga, all of the pieces are by either Burrell or Morris, and most of them are gems. Sinuous and bluesy, with a rich interplay of rhythms and melodies, they are the ideal platform for a soloist like Murray: grounded enough to keep him from straying too far but deep enough for him to find plenty of goodies to unearth. Morris’ “Chazz,” dedicated to Charles Mingus, recalls the master with accuracy and affection, giving Murray a shot to wield his bass clarinet in homage to Dolphy and allowing the composer his own heartfelt homage. The highlight of the session is Burrell’s wonderful composition, “Abel’s Blissed Out Blues,” a piece Murray would record often and an extremely infectious number. It begins with a moody, slow section and launches into an exuberant two-step that catapults Murray skyward with the rhythm section rocking away beneath. Two songs are given the repeat treatment, and they’re enjoyable enough to make the exercise worthwhile. The late ‘80s produced some of Murray’s strongest work in the quartet format, and Lucky Four fits in quite comfortably. Recommended.
- Re-mastering by: Cicely Baston at Alchemy/Air Mastering
- Produced by Horst Weber
- Engineer – Willy Schmidt
- Recorded Trixi Studio, Munich, September 25th, 1988
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Released: 4/24/23
- Format Detail: LP Black
- Format: Vinyl
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Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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