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Morningside [LP] (ONLINE ORDER ONLY)
Morningside [LP] (ONLINE ORDER ONLY)
Regular Price $32.99Product Type : Vinyl
Hurry! Only8units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
You've likely already listened to Stuart Bogie. He's played on records by Taylor Swift, Run the Jewels, The Hold Steady, Beth Orton, Logic, Tomberlin, and Alanis Morrisette.
And that's just in the last three years.
Bogie's the go-to guy for woodwinds - saxophones, clarinet, flute, etc. His expansive discography is filled with a diverse list of (often repeat) collaborators. He is not only extremely proficient and talented, but also understated and understanding - he gives each song all it needs and nothing more.
During COVID, Bogie was, like a lot of us, trapped inside his Brooklyn apartment, trying to not hear the constant sirens ricocheting down Atlantic Avenue. A few days into the ordeal, his partner Karyn suggested he start playing his clarinet for friends online, and so, with nothing else to do, he fired up Instagram Live.
At first, he started playing over simple things he found on iPhone apps, but eventually friends started sending in other instrumental accompaniments. All in all, with the crucial support of Karyn, Bogie played and broadcast at least once a day for 150 days straight.
Among the proffered backing tracks were two twenty-or-so-minutes-long drones from James Murphy of LCD Soundsystem, who had connected with Bogie via DFA house engineer and LCD band member Korey Richey. The first was a recording of treated piano, with all of the attack removed, from the mid-2000s. The other was extended drone featuring multiple organs, recorded all the way back in the 90s. Low-quality recordings of Bogie’s Instagram sessions were great - simultaneously trancelike and pastoral - so why not make a proper go of it in the studio?
Bogie eventually recorded new versions at DFA Studios in Brooklyn with Richey, who had an idea to route his clarinet through a stack of Korg delay units, creating a fluttering, glistening sound that effortlessly dances across each of Murphy's drones. After a few takes, they had two perfect side-length pieces: "Morningside" and "Eveningside," which you find here.
"Morningside" was produced by Korey Richey and James Murphy for the DFA. Mixed by James Murphy. Mastered and cut by Bob Weston at Chicago Mastering Service. Pressed at Citizen Vinyl in Asheville, NC.Tracklist:
- Morningside
- Eveningside
UPC: 829732000160
Label: Dfa Records
Release Date: 10.27.23
Format: VinylAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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