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Poulenc: Complete Works For A Cappella Choir [CD] (ONLINE ORDER ONLY)
Poulenc: Complete Works For A Cappella Choir [CD] (ONLINE ORDER ONLY)
Regular Price $29.99Product Type : CD
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This complete recording of the a cappella choral works of Francis Poulenc marks the celebration of the 20th anniversary of Ensemble Aedes and brings to a close a cycle initiated in 2009. Francis Poulenc's a cappella choral compositions form a unique ensemble, revealing a fragile interiority suffused with profound humanity. For him there was no sense of division between the secular and the sacred in his choral works: he appears to have considered them as a single entity, stemming from the same inspiration. From the Chanson à boire (1922) to the Laudes de saint Antoine de Padoue (1957), all of his compositions show the same fervor, clarity, and depth of feeling.
Tracklist:
- Poulenc: Un Soir de Neige, FP 126 I. [Le Feu.] de Grandes Cuillers de Neige
- Poulenc: Un Soir de Neige, FP 126 II. [Un Loup.] la Bonne Neige
- Poulenc: Un Soir de Neige, FP 126 III. [Derniers Instants.] Bois Meurtri
- Poulenc: Un Soir de Neige, FP 126 IV. [Du Dehors.] la Nuit Le Froid la Solitude
- Poulenc: Sept Chansons, FP 81 I. La Blanche Neige
- Poulenc: Sept Chansons, FP 81 II. A Peine Défigurée
- Poulenc: Sept Chansons, FP 81 III. Par Une Nuit Nouvelle
- Poulenc: Sept Chansons, FP 81 IV. Tous Les Droits
- Poulenc: Sept Chansons, FP 81 V. Belle Et Ressemblante
- Poulenc: Sept Chansons, FP 81 VI. Marie
- Poulenc: Sept Chansons, FP 81 VII. Luire
- Poulenc: Ave Verum Corpus, FP 154
- Poulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 I. Timor Et Tremor
- Poulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 II. Vinea Mea Electa
- Poulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 III. Tenebrae Factae Sunt
- Poulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 IV. Tristis Est Anima Mea
- Poulenc: Mass in G Major, FP 89 I. Kyrie
- Poulenc: Mass in G Major, FP 89 II. Gloria
- Poulenc: Mass in G Major, FP 89 III. Sanctus
- Poulenc: Mass in G Major, FP 89 IV. Benedictus
- Poulenc: Mass in G Major, FP 89 V. Agnus Dei
- Poulenc: Quatre Petites Prières de Saint François D'assise, FP 142 I. Salut, Dame Sainte
- Poulenc: Quatre Petites Prières de Saint François D'assise, FP 142 II. Tout Puissant, TRES Saint
- Poulenc: Quatre Petites Prières de Saint François D'assise, FP 142 III. Seigneur, Je Vous en Prie
- Poulenc: Quatre Petites Prières de Saint François D'assise, FP 142 IV. O Mes TRES Chers Frères
- Poulenc: Salve Regina, FP 110
- Poulenc: Figure Humaine, FP 120 I. de Tous Les Printemps Du Monde
- Poulenc: Figure Humaine, FP 120 II. en Chantant Les Servantes S'élancent
- Poulenc: Figure Humaine, FP 120 III. Aussi Bas Que Le Silence
- Poulenc: Figure Humaine, FP 120 IV. Toi Ma Patiente
- Poulenc: Figure Humaine, FP 120 V. Riant Du Ciel Et Des Planètes
- Poulenc: Figure Humaine, FP 120 VI. Le Jour M'étonne Et la Nuit Me Fait Peur
- Poulenc: Figure Humaine, FP 120 VII. La Menace Sous Le Ciel Rouge
- Poulenc: Figure Humaine, FP 120 VIII. Liberté
- Poulenc: Quatre Motets Pour Le Temps de Noël, FP 152 I. O Magnum Mysterium
- Poulenc: Quatre Motets Pour Le Temps de Noël, FP 152 II. Quem Vidistis Pastores Dicite
- Poulenc: Quatre Motets Pour Le Temps de Noël, FP 152 III. Videntes Stellam
- Poulenc: Quatre Motets Pour Le Temps de Noël, FP 152 IV. Hodie Christus Natus Est
- Poulenc: Petites Voix, FP 83 I. La Petite Fille Sage
- Poulenc: Petites Voix, FP 83 II. Le Chien Perdu
- Poulenc: Petites Voix, FP 83 III. en Rentrant de L'école
- Poulenc: Petites Voix, FP 83 IV. Le Petit Garçon Malade
- Poulenc: Petites Voix, FP 83 V. Le Hérisson
- Poulenc: Exultate Deo, FP 109
- Poulenc: Huit Chansons Françaises, FP 130 I. Margoton Va T'a L'iau
- Poulenc: Huit Chansons Françaises, FP 130 II. La Belle Se Sied Au Pied de la Tour
- Poulenc: Huit Chansons Françaises, FP 130 III. Pilons L'orge
- Poulenc: Huit Chansons Françaises, FP 130 IV. Clic, Clac, Dansez Sabots
- Poulenc: Huit Chansons Françaises, FP 130 V. C'est la Petit' Fill' Du Prince
- Poulenc: Huit Chansons Françaises, FP 130 VI. La Belle Si Nous Étions
- Poulenc: Huit Chansons Françaises, FP 130 VII. Ah ! Mon Beau Laboureur
- Poulenc: Huit Chansons Françaises, FP 130 VIII. Les Tisserands
- Poulenc: Chanson A Boire, FP 31
- Poulenc: Laudes de Saint Antoine de Padoue, FP 172 I. O Jesu, Perpetua Lux
- Poulenc: Laudes de Saint Antoine de Padoue, FP 172 II. O Proles Hispaniae
- Poulenc: Laudes de Saint Antoine de Padoue, FP 172 III. Laus Regi
- Poulenc: Laudes de Saint Antoine de Padoue, FP 172 IV. Si Quaeris
UPC: 5051083228824
Label: Aparte
Release Date: 3.27.26
Format: CDAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
'
'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
'
'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
'
'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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