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Reflekzionz [CD] (ONLINE ORDER ONLY)
Reflekzionz [CD] (ONLINE ORDER ONLY)
$15.49$16.99Product Type : CDs
Hurry! Only57units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
Ekoplekz delivers his third long-player for Planet Mu, and whilst the murky four-track cassette sound and dirty analogue textures are still very much in place, keen ears might spot a subtle change in emphasis. There are less of the radiophonic sci-fi sounds, ancient drum machines and none of the post-punk bass or guitar.†Instead, Nick Edwards mainly focuses on invoking a blurry, saturated false-memory of the leftfield electronica that was the soundtrack to his life in the early to mid-1990s. As the album title suggests, "Reflekzionz" is a record that unapologetically dwells on past experiences, like flicking through an old album of bleached-out photos from days gone by, and on tracks like "Downtone", with its extended, unchanging groove and wash of muted, untethered synth melody, the aim is to invite the listener to join in a state of reverie. "Midnight Cliffs" and "Saturation (Full Rinse)" are unabashed homages to the artists who inspired Edwards, but always with enough production twists and turns to ensure the results are never simply a facsimile of the originals. Opening track "A Caustic Romance" could almost be a lost AFX beat but adds a touch of hand-played niave melody that brings to mind mid-seventies Cluster, blending different eras in a lo-fi melting pot. Elsewhere there are other influences on display. "Quakers Road Skank" sounds like Raymond Scott jamming with Lee Perry at the Black Ark "Repeater (How Did It Feel?)" tips its hat to the work of indie-psych gods Spacemen 3, whilst "Seduktion" adds a touch of Kraftwerk-like metallic sheen. †But as with practically all Ekoplekz records, the unifying factor is the primitive dubwise production, heavy on the filtering, echo and equalisation, never more apparent than on "Dubnium 268" where heavy layers of drone and melody crash and burn along an unstable rhythmic path. †The album closes with the gentle, woozy atmosphere of "Day In May", where fragile, muted melodies drift in and out of sync on a bed of corroded drum machine, fading into the distance like a half-remembered dream - the perfect finish to an hour spent in the company of Nick Edwards at his most 'reflective'.- Format Detail: Jewel Case
- Format: CD
- Genre: Dance & Electronic
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Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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