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Simple Pleasures (Remixed And Remastered) [Black & White Swirl] (ONLINE ORDER ONLY)
Simple Pleasures (Remixed And Remastered) [Black & White Swirl] (ONLINE ORDER ONLY)
Regular Price $29.99Product Type : Vinyl
Hurry! Only81units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
LP - features LIMITED EDITION BLACK & WHITE SWIRL + album download code with 3 never-before-released bonus tracks REMIXED AND REMASTERED from 192kHz/36-bit transfers of the original multi-track tapes. Includes a 4-COLOR BOOKLET with liner notes from Alison Brown, Dave Dennison, and Mike Marshall, plus ARCHIVAL PHOTOS and SESSION DOCUMENTS. Unavailable on all formats since the early 2000s, Alison Brown's Grammy-nominated debut album Simple Pleasures was a leap forward for Scruggs-rooted banjo playing when it was first released in 1990. This led to her immediate recognition as a banjo pioneer and to her win in 1991 of the Banjo Player of the Year award from the International Bluegrass Music Association (the first female to win an Instrumentalist of the Year award).
The album was produced in 1989 by acoustic music icon and frequent Jerry Garcia cohort David Grisman (architect of "Dawg Music," the jazz-influenced breakout fringe of the bluegrass genre) and recorded with a cast of all-star musicians at Dawg Studio in Marin, CA. Players on the sessions included Alison Krauss (fiddle), David Grisman (mandolin), Mike Marshall (guitar, fiddle, mandolin), Matt Eakle (flute), Joe Craven (percussion) and Jim Kerwin (bass). The album's 12 tunes were all written by Alison and include the first recorded versions of some of her most well-known compositions, including "Mambo Banjo," "Leaving Cottondale," and "Weetabix." For the 2024 reissue, the original 8-track, 1" multitrack tapes were transferred at a resolution of 192kHz/36-bit, and remixed and mastered by Matt Coles at Compass Sound Studio in Nashville. Simple Pleasures will be released on LP, CD, and all digital platforms and features liner notes from Mike Marshall, recording engineer Dave Dennison, and Alison. The CD and DL versions include 3 bonus tracks of never-before-released demos recorded at Fantasy Studios in Berkeley, CA, in 1988, produced by Richard Greene and featuring David Grisman (mandolin), Mike Marshall (guitar), Todd Phillips (bass), and Greene (fiddle). Originally released on Vanguard Records in 1990, Simple Pleasures earned extensive critical praise both for Alison's compositions as well as her instrumental prowess and received a Grammy nomination for Best Bluegrass Album. In his liner notes for the reissue, Mike Marshall wrote: "It is SO fun to revisit this first album of Alison's and to remember how she put her own stamp on the acoustic music scene back in the early 90s both as a composer and monster instrumentalist. It was refreshing and very much needed to have a woman showing us guys what was what and, in the process, paving the way for the next generation of virtuoso female bluegrass pickers." One of the most multi-faceted minds in roots music, Alison Brown is a GRAMMY-winning musician, GRAMMY-nominated producer, and co-founder of Compass Records Group. She is the recipient of the USA Artists Fellowship in Music and the Distinguished Achievement Award from the International Bluegrass Music Association. A pioneer among women in the music industry, Alison was the first female to win an Instrumentalist of the Year award from the International Bluegrass Music Association; in 2019, she became the first female 5-string banjoist to be inducted into the American Banjo Museum's Hall of Fame. Alison serves as Vice President of the Board of Governors of the Recording Academy, on the advisory board of the Salt Lick Incubator and the Earl Scruggs Center, and as co-chair of the Steve Martin Banjo Prize. Over the course of her career, she has continued to break down barriers for the 5-string banjo through both her solo discography and her live performances with the Alison Brown Quintet, as well as frequent collaborations with actor/comedian/banjoist Steve Martin, The Indigo Girls, and others. Alison's 2023 release, On Banjo, received critical acclaim for charting new territory for the 5-string banjo and a Best Album of the Year nod from AllMusic.
Tracklist:
- Side 1: Mambo Banjo
- Leaving Cottondale
- Fantasy
- Daytime TV
- Wolf Moon
- From the Coast Side 2: Weetabix
- Bright and Early
- Waltzing with Tula
- Reddy Rooster
- Sundaze
- Simple Pleasures Bonus Tracks on Download Card: Wolf Moon (Demo)
- Waltzing with Tula (Demo)
- Sundaze (Demo)
UPC: 766397483016
Label: Compass Records
Release Date: 8.9.24
Format: VinylAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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