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Smokin [180 Gram] (ONLINE ORDER ONLY)
Smokin [180 Gram] (ONLINE ORDER ONLY)
Regular Price $76.99Product Type : Vinyl
Hurry! Only2units left in stock!
This Item is Availible Online OnlyPrice & Availability will vary by locationItem LocationWarehouseAverage Processing Time24-72 HoursNo In store pickupOnline Order only
Shortly before cutting the hard-rock classic Smokin', Humble Pie played the biggest US gig of them all: Shea Stadium, opening for Grand Funk Railroad. It was a make-or-break moment for the U.K. band, and just as the set was heating up, it began to rain. Playing during a storm is a risky situation in the best of times, but in 1971 it meant taking your life in your hands. Frontman Steve Marriott took the mic and dramatically announced that the group didn't care: 'It's comin' down rain, and we don't give a f*! We're gonna rock your asses all night long!''The audience went absolutely berserk,' drummer Jerry Shirley recalls. Even Grand Funk's fastidious manager Terry Knight was impressed enough to allow a couple of encores. The band managed to avoid getting killed. And America was now Humble Pie territory.Lucky for the group, the next studio album they released had just as much rock 'n roll bravado - seasoned with deep blues roots and a whole lot of soul. Smokin', Humble Pie's fifth studio set, made Steve Marriott a star for a second time, gave the band it's most enduring song - '30 Days in the Hole' - and made them U.S. headliners.It was also the sound of a band in transition, both in sound and personnel. When Humble Pie formed in 1969, everybody had something of a profile: Marriott had been in the Small Faces; guitarist/singer Peter Frampton, fresh from the Herd, was known both for his chops and his good looks (the U.K. press called him the 'face of '68'). Bassist Greg Ridley and drummer Jerry Shirley, meanwhile, came from cult favorite hard-rock bands Spooky Tooth and Apostolic Intervention. So Humble Pie initially functioned as a democratic supergroup: Everybody wrote songs, everybody sang lead, and the sound seesawed from heavy rock to the acoustic direction of their second LP, Town & Country.Eventually, they acquired a U.S. manager and booking agent - Dee Anthony and Frank Barsalona - who gave them a recipe for American success: More hard rock, more Marriott upfront. This paid off handsomely on the live album Rockin' the Fillmore, with their classic take on Ray Charles' 'I Don't Need No Doctor.' But shortly after it's release, and just after the Shea show, Frampton jumped ship, realizing that the band's direction was shifting away from his interests. Frampton, of course, became a sensation with his own double live album, but it took some time. 'He could see that acoustic side of things was going to be sidelined,' Shirley now recalls. 'But he'd be the first to tell you that when he left and wound up opening for us, he was thinking 'Oh dear, what did I do?'Humble Pie soldiered on. After the first round of auditions for a new guitarist didn't work out, they wrote a bunch of heavier songs and considered going out as a trio. Enter guitarist Dave 'Clem' Clempson, who was immediately hired after Marriott spotted a couple of hot solos on a Colosseum live album. Clempson wasn't as much of a singer or acoustic player, but he was a powerhouse of a blues-based guitarist.But that's another story. Meanwhile, Humble Pie's fifth album remains incredibly influential - just ask the Black Crowes, Gov't Mule, or the countless other bands who've referenced it. In short, it's still Smokin' after all these years. Now, settle in with this ultimate reissue - mastered by Kevin Gray from a 1/2" flat tape copy of the original master. And pressed at 45 RPM on two LPs - flat, virtually silent vinyl pressed by Quality Record Pressings!Dive into a rock 'n' roll masterpiece that's guaranteed to leave you craving more!180-gram 45 RPM double LP!Turn up the heat with the iconic Smokin' 1972 album by Humble Pie!Mastered by Kevin Gray from a 1/2" flat tape copy of the original masterPressed at Quality Record PressingsTracklist:Side A1. Hot 'N' Nasty2. The Fixer3. You're So Good To MeSide B1. C'mon Everybody2. Old Time Feelin'Side C1. 30 Days In The Hole2. a. Road Runner b. Road Runners 'G' JamSide D1. I Wonder2. Sweet Peace And Time
Tracklist:
- Hot 'N' Nasty
- The Fixer
- You're So Good To Me
- C'mon Everybody
- Old Time Feelin'
- 30 Days In The Hole
- a. Road Runner
- b. Road Runners 'G' Jam
- I Wonder
- Sweet Peace And Time
UPC: 753088168079
Label: Analogue Prod.
Release Date: 10.10.25
Format: VinylAll Sales are Final.
No Refunds or Exchanges.
Anime Grading Guide
'Near Mint (NM)'
Near Mint condition cards show minimal or no wear from play or handling and will have an unmarked surface, crisp corners, and otherwise pristine edges outside of minimal handling. Near Mint condition cards appear 'fresh out of the pack,' with edges and surfaces virtually free from all flaws. '
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'Lightly Played (LP)'
Lightly Played condition cards can have slight border or corner wear, or possibly minor scratches. No major defects are present, and there are less than 4 total flaws on the card. Lightly Played condition foils may have slight fading or indications of wear on the card face. '
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'Moderately Played (MP)'
Moderately Played condition cards have moderate wear, or flaws apparent to the naked eye. Moderately Played condition cards can show moderate border wear, mild corner wear, water damage, scratches , creases or fading, light dirt buildup, or any combination of these defects. '
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'Heavily Played (HP)'
Heavily Played condition cards exhibit signs of heavy wear. Heavily Played condition cards may include cards that have significant creasing, folding, severe water damage, heavy whitening, heavy border wear, and /or tearing. '
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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