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Violin Concerto Portsmouth Point Suite From (Hybr) [CD] (ONLINE ORDER ONLY)
Violin Concerto Portsmouth Point Suite From (Hybr) [CD] (ONLINE ORDER ONLY)
Regular Price $19.99Product Type : CD
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Sinfonia of London and John Wilson start a new series of recordings of works by Sir William Walton with this album featuring Charlie Lovell-Jones as soloist in the Violin Concerto. Lovell-Jones has soloed with major orchestras internationally, broadcasting on radio and television. As leader of the multi-award-winning Sinfonia of London, he has performed at the BBC Proms and recorded numerous albums, and is the winner of a number of significant international competitions. Commissioned by Jascha Heifetz, the Concerto was premiered in 1939, in America, and was enthusiastically received. Inspired by Walton's friend and lover Alice Wimborne, the work is extremely lyrical and passionate in nature, sporting a wild, virtuosic Tarantella as the second movement. Alice was also a driving force behind the inception of Walton's first grand opera, Troilus and Cressida, composed over almost a decade, largely after her untimely death. Here we hear the four-movement orchestral suite compiled in 1987 by Christopher Palmer, at the instigation of Lady Walton and his lifelong publisher OUP. Walton's overture Portsmouth Point is the earliest work on the album, premiered in 1926.
Tracklist:
- Symphonic Suite from 'Troilus and Cressida'~IV. Finale. Lugubre - Con moto - Allegro - Alla marcia (sempre maestoso) - Più moss
- Concerto for Violin and Orchestra~I. Andante tranquillo - A tempo con moto - Subito molto più mosso [e] con brio - Poco a poco
- Portsmouth Point: Overture
UPC: 095115536025
Label: Chandos
Release Date: 4.4.25
Format: CDAll Sales are Final.
No Refunds or Exchanges.
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'Damaged (D)'
Damaged condition cards show obvious tears, bends, or creases that could make the card illegal for tournament play, even when sleeved. Damaged condition cards have massive border wear, possible writing or major inking (ex. white-bordered cards with black-markered front borders), massive corner wear, prevalent scratching, folds, creases or tears. '
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